Twitter/@derekjstevensCollege basketball fans will tell you to never bet against Tom Izzo in March. One Las Vegas casino owner, Derek Stevens, placed a $20,000 bet on Michigan State to win the title back after the team’s 79-78 overtime loss to Notre Dame on December 3. The 5-3 Spartans were at 50-1 to win it all at the time, giving Stevens a potential payout of $1 million.I’ll be @theDlasvegas #LONGBAR to #SpartyOn THX @GoldenNuggetLV & @Gollumlv for giving me the shot @darrenrovell pic.twitter.com/GjK1ueQfin— Derek Stevens (@DerekJStevens) March 31, 2015In an article by ESPN’s Darren Rovell, sportsbook director Tony Miller admits that this is a big risk for the casino.…Miller accepted Stevens’ $20,000 bet, never thinking he’d be sweating the possibility that the Spartans could pull it off. “In my nine years at this sportsbook, I never accepted a bet that could result in us paying $1 million,” Miller said. “The most I’ve ever seen won here was a $100,000 parlay.”…Miller and Stevens have become good friends over the years, which makes the fact that the Spartans have two games to win it all a bit awkward.“This would be a massive loss for us,” Miller said. “I see days where we lose $10,000 to $30,000, but nothing close to $1 million.”Michigan State is a five point underdog against Duke on Saturday, and would play either Kentucky or Wisconsin for the title on Monday night. Stevens still has a long way to go to cash in, but it is definitely impressive that his bet is still alive.[ESPN]
CALGARY (660 NEWS) – The political crisis over the disputed territory of Kashmir escalated Wednesday when Pakistan said it would downgrade its diplomatic ties with India, expel the Indian ambassador and suspend bilateral trade with its regional rival.Indian authorities have clamped a complete shutdown on Muslim-majority Kashmir as the Hindu-led nationalist government in New Delhi scrapped the region’s statehood and special status, including the right to its own constitution.As the security lockdown by Indian troops continued in Kashmir for a third day, hundreds of migrant workers began the long trek back to their villages in northern and eastern India.The Kashmir region is divided between India and Pakistan, and is claimed by both. The two nuclear-armed neighbours have fought three wars, two of them over control of the mountainous region since they won independence from the British in 1947.Kashmir is India’s only Muslim-majority state and most people there oppose Indian rule. Insurgent groups have been fighting for Kashmir’s independence from India or its merger with Pakistan since 1989.The Indian government has shut off most communications, including internet, cellphone and landline networks, with Kashmir. Thousands of additional troops were sent to the already heavily militarized region out of fear the government’s steps could spark unrest.In response to India’s action, Pakistani Foreign Minister Shah Mahmood Qureshi told parliament that it will expel the Indian ambassador, and the Foreign Ministry later said India has been informed to withdraw the envoy.The decision came at a meeting of Pakistan’s National Security Committee led by Prime Minister Imran Khan and attended by the heads of the armed forces and senior government officials.Khan told the meeting that his government will use all diplomatic channels “to expose the brutal Indian racist regime” and human rights violations in Kashmir, the government statement said.Khan also directed Pakistan’s armed forces to remain on maximum alert.Islamabad also said it will review other aspects of its relations with India. It said it will ask the U.N. to pressure India to reverse its decision to downgrade Kashmir from a state to two separate territories. The region also lost its right to fly its own flag and make many of its own decisions.Pakistan said it would continue extending diplomatic, political and moral support for people living in Kashmir and their “right of self-determination.” Pakistan has long called for people in the Indian-controlled part to be allowed to vote on whether they want to sever ties with India.Local Imam Syed Soharwardy said the Indian army has taken drastic action in Kashmir and it could get worse.“This is going to be another Rwanda or another Bosnia in Kashmir if we do not stop the Indian aggression in Kashmir,” Soharwardy said.Those in the Muslim community is expressing fear for loved ones still in the region.Sohowardy said these events are personal to him.“There are still relatives from my father’s side in Kashmir who are facing those atrocities.”He adds that he is extremely disturbed right now and his whole family is disturbed by what is happening in the region.Sohardy said have been killed and houses have been destroyed since the lockdown began earlier this week.“We are asking the United Nations, the US Government and the Canadian government to stand up and have those who are doing these acts tried for crimes against humanity.”Soharwardy is also calling for India’s Prime Minister to back out of the region.India has accused Pakistan of arming and training insurgents fighting for Kashmir’s independence from India or its merger with Pakistan. For its part, Pakistan denies the charge, saying it offers only diplomatic and moral support to the rebels.Every year, tens of thousands of people travel to Kashmir from various Indian states seeking work, mainly in masonry, carpentry and agriculture. Whenever the security situation deteriorates, they return home. Protests over the Indian government’s actions broke out in Kargil, a Muslim-majority border city in Ladakh that identifies culturally with Kashmir. India and Pakistan fought a war there in 1999.– With files from the Associated Press
by Kevin Barrett, cocktail director at Foundationphotograph by Nick PironioA few months back, when spring and summer were meeting, I took a trip to Central America to visit my friend Lazlo and climb some volcanoes.He would prefer I not mention which country. He has high demands for anonymity. We’ve known each other a while. Lazlo’s gotten me into and out of more trouble then I’ll ever admit, and he had been pestering me to come see him in Guatemala — whoops! Oh, well, he’s already relocated.Lazlo and I met up in Guatemala City, because that’s where my plane landed. It’s a mostly charmless city with few redeeming qualities. But at the time – with the promise of travel and adventure in front of me – it held a certain allure.After salutations, we checked into a hotel and went about the town eating and drinking and catching up. Lazlo’s not much for the phone, and I’m not much for heartfelt emails, so we had a lot to catch up on. We ended up at the hotel balcony drinking Gallo beer and Ron Zacapa rum into the wee hours.Our original plan to scale several volcanoes got sidetracked immediately because the rainy season started early. Lazlo’s alternative plan seemed reasonable to me at the time: After we spent the night in the capital city, we would do something epic. We decided we weren’t just going to get drunk together in yet another country. Or maybe he let me think we decided that.First thing the next morning, we caught a chicken bus to Antigua. Yes, a chicken bus, just like on TV, but with an elaborate paint job, and without the animals. The driver whipped around skinny mountain roads while another guy hung out the door yelling, “Antigua, Antigua, Antigua…”After a few days in Antigua, we took a 12-person shuttle van – basically an express chicken bus – to San Pedro and got a room at a hostel. One of the many endearing things about Guatemala, besides the people, the food, the culture, the climate, and the volcanoes – is the hammocks. They’re everywhere, and it just feels right.We bounced around San Pedro for a few wet nights, drank Ron Botran rum, and smoked Guatemalan cigarettes. I told Lazlo that this might not be the best way to prepare for our epic feat.“It’s part of your training,” he told me.From there, we chicken bussed it to Quetzaltenango, or Xela, 7,500 feet above sea level and Lazlo’s home base. This is where we were going to do something epic.That turned out to be hiking to Lake Chicabal in the crater of Chicabal volcano. It’s a sacred place to Mam Mayans, surrounded by ceremonial altars. It’s also 9,000 feet above sea level.Lazlo has a good set of lungs, a long gait, and doesn’t sweat much. I have a hard time keeping up with him on a flat surface at sea level. The steady, gradual climb destroyed my will. Every once in a while, Lazlo would look back and say, “You doing all right?”Around every corner I suspected we would reach the top. I was disappointed many, many times. None so much as when I dragged my feet past a woman of 80 who wasn’t breaking a sweat.When we reached the top, I let him know his training regimen wasn’t working for me.“Doesn’t it, though?” he said.I asked him how he climbed so steadily.“It’s the way down that gets you,” he said. “Bad on your knees.”I couldn’t believe him. The way down was going to be cake. Maybe I’d be ahead of him on the way down. That was my gift, going downhill. I was going to excel at that.I didn’t. Lazlo was ahead of me the whole way down.The next day, we made the awful decision to climb Santa Maria, 12,250 feet above sea level. Three and a half hours into the climb, when my hands and feet started tingling, I finally asked how much further. I was pretty sure my body was sending all my blood away from my limbs and to my organs to try to keep me alive a bit longer, thus the tingling. I was drowning in the clouds.The last stretch was done on my hands and knees. The incline was so steep even Lazlo had to get his hands dirty. The moment it was over, and we had reached the top, and I was sure there was no more climbing, I wondered why I’d done this to myself. Maybe I did it so I could write a story about it. When I finally saw where we were, above the cloud line, I knew. How many people got to see this?The climb down went a bit faster, but left the soles of my feet bruised and my left big toe swollen and bleeding. I wanted to tell Lazlo that he was right – the climb down really does get you – but he was too far ahead to hear. Lazlo’s ClimbThis drink commemorates Guatemala and all of Central America, not to mention Lazlo’s epic climb of the Santa Maria volcano. This is a drink you can easily make at home during an Indian summer in Raleigh. I recommend using crushed ice.2 ounces Ron Zacapa rum1 ounce pineapple or mango juice½ ounce fresh lime juice½ ounce OJ5 to 7 dashes Peychaud’s bitters or½ ounce grenadineMix all ingredients, except bitters, in a shaking tin and dry shake (no ice). Pour mixture over crushed ice into a tall Collins or swizzle/pilsner glass. Top with Peychaud’s bitters or ½ ounce float of grenadine for a sweeter October.
In addition to antique glass, Louise uses different metallic parts: coasters from a chair, irons from a fireplace, old chandelier bases. She buys her pieces from all over – eBay, auctions, antique malls. Sometimes clients give her a piece that they would like refurbished. Raleigh interior decorator Susan Tollefsen had a client with an old family chandelier that was pretty but tired. With Louise’s finesse, it became a new, more interesting chandelier, but lost none of its history.Gaskill has never marketed herself and relies solely on word-of-mouth advertising. She sells only to designers and to a few retail shops in Raleigh, including La Maison in North Hills. Her client roster covers the entire country – from Chicago to Florida, Charleston to Raleigh – and she plans to showcase her 70 new lighting designs to decorators at the High Point Market October 17-22.“Louise designs unique fixtures that can combine lots of different time periods together between the traditional, transitional, and modern,” says Tula Summerford of Raleigh’s Design by Tula. “Her pieces work for any style house.”Where to Find Louise Gaskill’s Work:Louise Gaskill By appointment only:2023 Progress Court, RaleighLouisegaskill.comSusan Tollefsen Interiors2025 Progress Court, RaleighSusantinteriors.comLa Maison4209 Lassiter Mill Rd., Suite 132 RaleighLamaisonraleigh.comDesign by TulaDesignbytula.com by Katherine Connorphotographs by Catherine NguyenAsk Raleigh’s Louise Gaskill the secret to her artistry in lighting design, and you won’t get far. “Oh, I don’t know how I do it, I just sort of taught myself and I learn as I go,” she says humbly, with a smile. It’s hard to believe that such a masterful creator – her handmade, one-of-a-kind fixtures are sought after by interior designers and clients all over the country – could deny her skill, but that’s another of Gaskill’s gifts: making it all seem simple.To call her a lighting designer is to tell half the story. She’s also an alchemist, creating of-the-moment lamps, sconces, and chandeliers out of antique glass, seashells, found fragments, and metal fixtures. When she talks about her designs, her silver-blue eyes radiate.Louise Gaskill in her studio, filled with her collection of vintage glass, metal components, and found fragments.“I cannot say enough good things about Louise,” says prominent Chicago interior designer Julia Buckingham. “We have the same design aesthetic, which I describe as vintage antique with a modern vibe. She’s highly creative with her vision and yet she makes it seem so simple, so effortless.”Originally from New Bern, Gaskill graduated from Meredith with a history degree and launched a career in software sales in Raleigh. She fell into lamp design after creating a few pieces for herself, then kept it up as a hobby.She says her love of history has always fueled her work. “Perhaps that’s something that ties all of this together: the history and the stories of the glass and the different pieces of lamps. I love the story behind old pieces,” she says. There were no artists in her family, no crafts passed down through the generations. Instead she taught herself to design new fixtures by deconstructing lamps she wanted to work with, then reconstructing them and learning as she went.At one point, Gaskill considered creating larger pieces of furniture, but sage advice from her husband,Robert Sheldon, convinced her to stick with lighting: “Don’t ever buy anything that you can’t pick up yourself,” he said. Though her pieces remained manageable, her workshop quickly overtook the garage and storage shed where her husband once tinkered with cars. After 14 years, she still picks up every piece herself. And in the process, Gaskill has become a revered artist within a niche industry – a niche industry with big competitors.“That really is probably the hardest part of this whole enterprise, that I’m all by myself in this field, and I’m competing against large corporate companies with big budgets and mass forms of production. My pieces are works of art and can take up to one to two weeks to complete, but this is an heirloom and something that will stay in your family for generations to come.”A piece of Murano glass is the starting point and inspiration for a new chandelier.The fun partIt all starts with the hunt, and that’s “the fun part.” Gaskill says there’s nothing better than finding a great piece of antique glass – some come from other lamps, fixtures, or vases. Glass dictates the piece: Every lamp, chandelier, or sconce has some piece of glass in it. It’s her inspiration and her signature touch.Her workshop is filled with it: cobalt blue cylinders, bulbous German bases, Italian teardrops. And there’s more: a pile of gold kitchen sifters found at an antique fair will eventually make their way into the base of a lamp. A wall is filled with various pendants and knickknacks that will make a piece uniquely hers.Gaskill starts with the frame, or the base of a piece, adds a lamp pipe down the center, and then starts stacking things together, seeing what works and taking it apart again until it “fits.” This is where her joy comes: in the unexpected merging of components.
Nicole Wilder/Bravoby Mimi MontgomeryAfter serving as executive chef at The Umstead’s Herons restaurant, Scott Crawford opened Standard Foods last fall with business partner John Holmes. The space is a hybrid restaurant, grocery, and butcher shop, featuring a variety of ingredients and goods from local purveyors and growers. Crawford places an emphasis on clean simplicity when it comes to his menu, incorporating healthy ingredients into Southern-inspired cuisine.Now the three-time James Beard award semifinalist’s creations will reach a much wider audience: Crawford will be a contestant on the new Bravo culinary competition series Recipe for Deception, which premiered last month. The show pits four chefs against one other in three elimination rounds where each is challenged to create a dish showcasing one main ingredient. The catch? The chefs have no idea what that main ingredient is. Each competitor is allowed to ask another three yes-or-no questions to determine the secret addition, but two of the answers will be truthful and one a lie.It’s a culinary twist on the old Two Truths and a Lie game, and Crawford will appear on the February 11 episode. Following the broadcast, he’ll offer the mystery dish he created on the show at Standard Foods throughout the month. Of course, since he’s bringing his creation home to Raleigh, he’ll put his own local spin on it: Ingredients will be sourced from North Carolina and most will be available in the grocery section of his business. No lie.Catch Crawford on Bravo’s Recipe for Deception February 11 at 10 p.m. Visit Standard Foods at 205 E. Franklin St.; standard-foods.com
“To share the joy of music with others is a privilege.” –Sylvia Wiggins, director, Helping Hand Mission marching band (far left, front row)by Jessie Ammonsphotograph by Travis LongSylvia Wiggins has always had a penchant for band music. But as a high school student, she couldn’t muster the courage to audition for her school’s mostly-Caucasian ensemble. “I told myself that one day I’d have a band where everyone can come,” says the founder and executive director of Helping Hand Mission, a nonprofit that provides food, clothing, furniture, shelter – and band music – to Southeast Raleigh.Wiggins was working on an anti-gang initiative for Helping Hand when she remembered her adolescent hope and founded the mission’s marching band for 7- to 17-year-olds. “We have black kids, Hispanic kids, white kids. We want everyone to feel comfortable.”The marching band fluctuates between 50 and 70 members, and teens must complete community service projects to join. No musical experience is required, and the band relies on donated instruments. “We practice a few times a week, but the kids hang out a lot, too. We have a lot of activities that … we don’t put under the title ‘practice,’ but are band-related. They dance all the time.” That dancing inspires the marching: Often, members compose and freestyle original music inspired by what’s on the radio.Wiggins leads the troupe, despite an already-packed schedule running the nonprofit’s headquarters and shelter on Rock Quarry Road. For her, it’s a non-negotiable commitment. “Teens are my favorite kind of kid,” she says. “That’s the age when a lot of people give up on them, but I know what they can be. I like to see the outcome, when they realize their potential. Band is a safe place and a structured place.” Visit helpinghandmission.org to learn more about the marching band and to donate instruments.
Nick Pironioby Fanny SlaterOnce upon a basket of cornbread, I made a decision that would forever change the course of my life. I slouched into the cozy, familiar booth at Margaux’s Restaurant and asked my family: “What about some kind of tangerine chicken?”My mom looked up from her Caesar, puzzled. It was now three days before the finale of Rachael Ray’s Great American Cookbook Competition. I was one of two remaining contestants, and we had been sent home and given one week to choose our final recipe. For some bizarre reason, I couldn’t let go of tangerine chicken. I had never even made tangerine chicken before in my life. This was clearly the moment when I began grasping for anything. Anything at all. In this case: tangerine chicken.After winning Rachael Ray’s Great American Cookbook Competition, Slater appeared on the show. Here, she is shown with Jacques Pépin and Rachael Ray. Slater’s book will be available March 1.My boyfriend Tony slid the shiny basket of still-warm cornbread under my nose. I peeled apart a crumbly, golden square and swiped it through a ramekin of whipped butter. I looked up at my dad – whose expression was solemn (unusual for someone who wears cartoon rotisserie chicken socks). “Why don’t you end where you began?” he suggested.I thought back to the first recipe I’d submitted for the competition: “The Tin Foil Surprise.” It was my spin on our family’s favorite to-go English muffin breakfast sandwich. My updated version featured creamy taleggio cheese and floral, homemade orange lavender fig jam. I stuffed the fluffy cornbread into my mouth and grinned. “If the rest of my life is riding on an English muffin,” I declared, “I think everything is going to be okay.”Many of my richest memories have taken place over a basket of Margaux’s cornbread. I grew up with a dad who prepared top-notch homemade meals on a near-nightly basis, so naturally, my family’s restaurant expectations have always been high. But it’s never been pretentious, complicated cuisine we’re after – just good food made with soul. And butter, of course.Margaux’s opened its North Raleigh doors in 1992 and instantly became our second kitchen. It was where we boogied for my sister Sarah’s post-Bat Mitzvah brunch (and for mine four years later). It was where my parents celebrated birthdays and anniversaries. It was where we even broke our cardinal ritual of a homestyle Thanksgiving to unapologetically surrender to the sinful buffet one memorable year. And it was Margaux’s where we took “Macho Man” Randy Savage to dinner. No, seriously. But that’s another story.Apple; treeIn 1975, my mom founded the nationally-acclaimed bakery business Rachel’s Brownies. In the beginning stages of her eventual business partnership with my dad, she would tenaciously re-wrap the brownies he’d dutifully tried to wrap to meet her impeccable standards. For her, each chocolate morsel was a work of art. My dad, while not a whiz-bang brownie-wrapper like my mom, was a highly-experienced marketing guru and self-taught kitchen wizard. He kept a copy of Mastering the Art of French Cooking on his nightstand. When I was four, he scooted a chair up to the stove and handed me a spatula. In first grade, he came into my class at Ravenscroft and taught us all how to braid and bake homemade challah. That’s pretty much all I remember from first grade. Needless to say, I grew up on good eats, and it was only a matter of time before I took the cooking into my own hands.As a Ravenscroft first-grader, Slater performs a cooking demonstration with her father.My last year at Peace College (now William Peace University), I was assigned a final writing project to fulfill my English major. Sitting in my advisor’s office, I talked in circles until I somehow convinced him to allow me to intern at my favorite Raleigh restaurant and write about it. Several weeks later, I found myself standing in that esteemed kitchen, looking out onto the dining room where I had spent many meals enjoying cornbread, peppered duck, and delicate profiteroles. In Margaux’s kitchen, I felt as though I had been granted entrance to a mystical universe where few elite members were allowed. I silently bowed my head at the crab cakes.A few years later, right around the time I turned 25 and moved to California, the restaurant movement in the Triangle began to erupt. When I came home to visit, I thought I’d be eager to dive into the trendy new hot spots. But it turned out it was familiar flavors I craved. Between my dad’s sublimely-seared scallops and Margaux’s expertly-wrapped shrimp summer rolls, I was happy. After all, I had a short window of time at home and only so many pairs of stretchy pants in my suitcase.I eventually returned to the East Coast (downtown Wilmington to be exact), where I got close enough to sample the exquisite fare of Raleigh’s most gifted chefs. This is how Ashley Christensen became my best imaginary friend. As Julie Powell, of Julie & Julia, once said, “I have this fantasy that she comes for dinner and I show her my new lemon zester. We become very close.”Slater prepares a root vegetable frittata in her Wilmington home kitchen. “I always have eggs and veggies and cheese on hand,” she says. Maybe it’s because Ashley’s food is full of imagination – but also reminds me of home – that I daydream of this citrus-inspired friendship. Because at the root of it all, I am still influenced by the flavors that have stuck with me all of this time. The anecdotes and recipes you’ll find in my cookbook,Orange, Lavender & Figs: Deliciously Different Recipes from a Passionate Eater, are modern tributes to the food moments that have shaped my life. Case in point: to honor Margaux’s succulent, butter-slathered cornbread – which has provided me with countless memories – I crafted these honey cornmeal pancakes with vanilla bean-fig butter. But first, back to the beginning… I decided to submit “The Tin Foil Surprise” as my final recipe for Rachael’s competition. I think you can guess how it all turned out. I knew that if I stayed true to myself, my love for nostalgia, and my whimsical spirit, I couldn’t lose. After all, coming from a family who relentlessly encouraged my silliness and my love of cooking, it’s no surprise I come up with eclectic, playful food. Can you blame me? Because, well, with a name like Fanny – it’s pretty hard to fit into the crowd.But I’m okay with that.
The Powell GT chorus rehearses before its performance in Meymandi Concert Hall on April 5. The fourth-and fifth-graders had practiced for months, coming in to rehearse at 8 a.m. before their school day began.Raleigh Fine Art Society’s Choral Celebrationby Mimi Montgomeryphotographs by Jillian ClarkIt’s a Tuesday evening in April, and Meymandi Concert Hall is packed. In a few short minutes, Powell GT elementary school’s chorus will take the stage, and the kids are shushing each other as they wait in the wings for their cue. Their fourth- and fifth-grade faces are bathed in the blue light of backstage bulbs as they whisper last-minute notes and bits of advice to each other under the din of the audience outside and the sounds of the accompanists warming up. They’ve been counting down the months to this night. Their moment is finally here. On the other side of the curtain, it’s not the usual symphony crowd anticipating a night of classical music – it’s kids like them, all of whom will also have their own chance to perform. This is the first night of an annual two-night Raleigh Fine Arts Society Choral Celebration, bringing Wake County elementary school choruses to the capital city’s finest stage to perform for their parents, friends, and the public. The kids are all dressed in their best, some in white button-downs and dress pants, and others in black dresses and bows. As the audience goes quiet, the Powell students fidget anxiously and giggle; at the last minute, their teacher, Terri Gervais, confiscates phones from two of them. The kids stand up straight. It’s time to go on. “I’m so ready,” Damarian King, 11, mouths, a grin on his face.Leaving a legacy Powell is one of dozens of schools that have participated over the last 17 years in this annual concert, held each spring. Created in 1999 by RFAS founding member Martha Zaytoun, the event added music to the group’s lineup of programs designed to promote literature and the visual arts. The event rose in prominence in 2001 when it moved to Meymandi, and so many schools wanted to participate that RFAS had to add an extra evening to accommodate them all. Its popularity has only grown. This year’s Celebration included a record 16 schools and nearly 1,000 children singing. From the beginning, the event has showcased fourth- and fifth-grade choruses from Wake County schools, and has aimed to help improve their music as well as showcase it. The choruses are reviewed by an adjudicator, who provides notes and comments ahead of the performance, in which each school performs two songs individually and sings three all together. Because young children’s voices have their own special quality, working with them is different than conducting teenagers or adults, and requires experienced conductors trained in elementary music. The Celebration’s advisors (Ann LeGarde, Kenya Snider, and Ann Goldfinch) are all former or current teachers certified to teach music to children; they help structure the flow of the performance and help each participating school’s conductor select music that will showcase their children’s voices in the best way. This year, RFAS also assigned a choral clinician to each school who attended two rehearsals, and not only worked with the children on their selected music pieces, but provided feedback to their teachers, too. In addition, RFAS invited all of the schools’ choral teachers to a workshop with Dr. Frances Page, a professor of music at Meredith College and the conductor of the Capital City Girls Choir. Teachers filled out professional development forms before and after their school’s performances, as well, to chart their own growth and reflect on their students’ improvements. “This is something else we can do where we’re giving back,” says Dena Silver, chair of the Choral Celebration. “This is something where kids learn, where teachers learn. So, over time, you’re building on all that.” Silver says that’s important, because lower school choirs are at risk. “A lot of teachers and school administrators don’t feel that they’re necessary. So, we felt we needed to continue to improve the profile of those schools and elementary choral programs, and if we did that, they would maybe have a longer life.” Celebration advisor and Farmington Woods teacher Ann LeGarde says it’s working. “They gain so much confidence from that opportunity. When you finally see them on stage and hear them … their faces are lit up by the beautiful lights and they’re so excited and so proud of themselves,” she says. “It’s definitely a memory that lasts a lifetime. It’s just beautiful. It’s really beautiful.”The chorus stands at attention during one of their early morning practices.Going the extra distance Of the 16 schools participating in the Choral Celebration, Powell is one of four newcomers. A Raleigh magnet school, it is a diverse, arts-based elementary school near the Oakwood area focused on play and ingenuity. The children in its fourth- and fifth-grade chorus love to perform and go to great lengths to do so, arriving at 8 a.m. to rehearse before the school day begins. One March morning, some are sleepy, dragging their backpacks into the colorful room, but most seem excited. There’s a palpable buzz in the air – today their RFAS-assigned choral clinician, Anne Mormon-Smith, is there to listen to the group rehearse the two pieces they’ll sing in the Celebration. It’s clear that Gervais, Powell’s general music and chorus teacher, has set expectations for her students: They perch on the edge of their seats with rail-straight backs. In Gervais’ book, learning the correct way to carry a note or breathe from their stomachs is just as important as learning professionalism, responsibility, and cooperation. The group prepares to launch into a version of their favorite song, The Moon. “What is the feeling in The Moon?” Gervais calls out to her class. “Calm!” one child shouts out. “Soothing,” says another. “It makes me feel inspired and hopeful,” pipes up a voice from the back. She implores the group to use that imagery to infuse the piece with emotion. Gervais employs a variety of techniques to communicate what could be complicated musical terms to a group of elementary schoolers. She asks the kids to “color” the music with their voices to create emotion and movement in the music, and uses visuals like pulling an imaginary ribbon through the air to have them carry out a note and build a crescendo. “The kids that are coming really, really love to sing,” says Gervais. “They just have a natural ability.”Clinician Anne Mormon-Smith works with the children. After a rousing rendition of their second song, the classic Simple Gifts, and some helpful feedback from Smith, it’s time for the first class of the day. Everyone’s in a good mood after a morning of singing. Fourth-grader Elexis Creech, 10, says she can’t wait to perform at Meymandi. Her brother has seen the auditorium, and “he said that it was humongous and that it’s pretty. So, I’m really excited.” And more than a little ready to belt out the tunes. “I honestly think I was born to be in the spotlight,” she adds. That zest for performing runs through the group. Timmy Richardson, a 10-year-old fifth-grader, says he’s “just a little bit nervous,” but that he loves “to be in front of an audience.” The excitement is well-earned, Gervais says. The kids have taken it seriously, and it’s going to pay off. It’s an important lesson in working diligently towards achieving a goal. “It is hard work,” she says. “I tell them all the time – it’s hard work, but it’s fun. That’s what everything worthwhile is.”Teacher Terri Gervais conducts. Gervais knows all about that. “She’s gone above and beyond,” says Curtis Brower, Powell’s principal; he credits the chorus’ success to Gervais’ dedication, offering early rehearsals and ensuring that students who want to participate will be able to do so. Interest in what she’s doing has been so high she’s recently added a third-grade chorus, too, and many of her students have gone on to audition for outside groups like the Raleigh Boychoir. When she told her students they were headed to Meymandi April 5, they couldn’t contain themselves. “They were jumping up and down,” she says. It’s a first-time experience for many of the children in her group. The opportunity to perform in a real auditorium on a professional stage with excellent acoustics is a rare one. “This is a blending of backgrounds of kids,” says Gervais. “Some kids have probably gone to see things at the theater itself or the concert hall … (but) a lot of the other kids were never exposed to that. … So this is really a big thing for them to be able to sing on that stage.”Choral teacher Terri Gervais conducts the Powell GT chorus as they perform on the stage at Meymandi Concert Hall.Keep singing On performance night, it all comes together. The kids beam as all 500 of them come together to sing the last communal song of the evening, Stars, a piece commissioned by RFAS to honor Zaytoun. The sound of so many earnest voices rising up and into the ceiling of the auditorium is the pinnacle of an already memorable evening, and the students rush out to meet their waiting parents with grins on their faces. Teachers hand out cookies and hugs, and the kids high-five each other. They did it. It’s RFAS’ hope that many of the participants will continue singing long after this evening and help to preserve this celebration of music in Wake County. As everyone begins to leave, many of the students keep carrying the tunes even as they exit Meymandi with their families, humming the familiar melodies as they go their opposite directions into the night. Some are headed off to middle school next year; some have another year in thechorus. But one thing’s pretty clear: They will all keep singing.Scanning the music.
Pilobolus photo by Ian DouglasAmerican Dance Festivalby Mimi MontgomeryMovement is alive in the Triangle this summer when the American Dance Festival hosts its 83rd season in Durham June 16 – July 30. Heralded by The New York Times as “one of the nation’s most important institutions,” the festival, founded in 1934, aims to foster creative growth in the modern dance world by bringing together dancers, choreographers, and students to learn and practice alongside one another. This season, the festival will present 61 performances in 13 Durham venues by 26 companies and choreographers from Israel, Russia, France, and the U.S. Throughout, professional training workshops will be held for dancers, choreographers, students, and teachers from around the world at Duke University.The gathering also aims to have a local impact: ADF Project Dance offers creative movement workshops to Triangle students and distributes over 500 free performance tickets to local nonprofits. The group also partners with Durham’s Central Park School for Children to introduce dance classes as an alternative to more traditional physical education classes.Company Wang Ramirez photo by Frank SzafinskiThroughout the summer, ADF will also partner with lululemon for free, public yoga classes; lead free tours throughout the ADF school; host a children’s Saturday matinee series featuring especially imaginative performances to captivate little ones; and hold free movie screenings focusing on the relationship between body movement and cinema. Plus, through the ADF Go program, young art lovers between the ages of 18-30 can purchase a $10 ticket to any performance (barring Savion Glover and Jack DeJohnette June 20-21).Go big, go small, but definitely go. There are plenty of performances happening throughout the two months and it’s easy to take your pick. For a full list of performances, events, locations, and ticket prices, visit americandancefestival.org
The pool at SkyHouse sits 23 stories above street level, making it the tallest all-residential building in Raleigh.by Jesma Reynoldsphotographs by Tim LytvinenkoIt’s a vertical world we live in, and Raleigh is going up. Young professionals and empty nesters are migrating downtown to live, work, and play, fueling demand for stylish residential projects that are reshaping our city skyline. Luxury projects like The Residences at Quorum, West at North, and SkyHouse offer owners the opportunity to live above it all in high-altitude dwellings with access to private rooftop pools and gardens. Other stalwarts like City Club Raleigh and the columnar Holiday Inn offer communal gathering spots for taking in the ever-changing views. Photographer Tim Lytvinenko takes us into this world of rarefied spaces, providing a bird’s-eye perspective of our city. Citrix employees enjoy a game of miniature golf on the rooftop course that can also be used for bocce, one of the perks offered by the tech company.Another Citrix bonus is the yoga studio, also on the roof, with aerial views of downtown.Tall glass buildings mean lots of glass to clean. Here, a window washer scales the face of the PNC building, the tallest skyscaper in Raleigh at 538 feet.Through the glass bubble chandelier of City Club Raleigh, a view looking east.A reflection of the chandelier in the Sky Ballroom of the City Club appears to hover over the city.The Hudson, converted from the old Belk deparment store on Fayetteville Street, has a roof terrace for its residents.The Raleigh skyline lights up as evening falls on the city.Spectators, seen reflected in glass, gather on the roof of SkyHouse to view Fourth of July fireworks.A Holiday Inn patron enjoys views from the 19th-floor bar and restaurant at the top of the iconic rotunda.At West at North condominiums on Glenwood South, residents take in a sunset by the rooftop pool.Humid summer nights bring evening electric storms to the city.A crowd gathers for happy hour beneath the 11-foot chandelier in the Sky Ballroom at City Club Raleigh. Located on the 30th floor of the Wells Fargo Capitol Center, the former Cardinal Club merged with the Capital City Club in 2014 and underwent a $3 million renovation.Downtown seen from the green-roof terrace at The Residences at Quorum Center. The 15-story building was completed in 2006 as one of the first mixed-use (residential and commercial) projects downtown.A young resident looks for fireworks on Fourth of July from the SkyHouse rooftop.Reflections create an illusory effect on the cityscape.Photographer Tim Lytvinenko captures his reflection from a balcony at SkyHouse.Downtown appears on the horizon as seen from the top of the CapTrust building at North Hills.
DFS’s ten-week job acquisition class, Going Places Network, is designed to help clients like Flanagan tackle these obstacles. During its skills assessment class, Flanagan learned her personal and professional strengths. “I am adaptable,” she says now. “I am an eager learner. And I like to be a resource of information for other people.” The program taught her how to capitalize on these strengths during job interviews and when crafting cover letters. She says she has also found hope in the friendships she’s made through the program. “We carpool and lean on each other. It is encouraging to see the women in our group find employment.” Beth Briggs, executive director for Dress for Success Triangle, believes that the Going Places Network is one of Dress for Success Triangle’s most effective client services. “About 75 percent of women who go through GPN get jobs within three months,” she says. “That is a high percentage. It is a confidence-builder and a skill-builder. It teaches the women what it takes to get a job in this world and what is expected by corporations.”Transformative experience When Flanagan first met with an image coach for her suit fitting, she was taken aback by the amount of care and attention she received. Although she has bought and worn business suits in the past, she says the Dress for Success Triangle boutique experience is like nothing she’d known before. After more than a year looking for a job to support her two sons, she says she felt power when she saw herself in the mirror with a pair of high heels and a tailored suit. “It is transformative. It is a completely different experience for those of us who are not used to that kind of care. The image coach is more than a personal shopper. She listens to what I like and what I want. It is very empowering.” Briggs nods. She sees the same thing time and time again with the women who come through her organization’s doors. “This is all part of our mission to support unemployed and underemployed women and to help them find economic security. A lot of what we do is about building a woman’s confidence, dignity, and respect. It is easy to feel powerless when you’ve been out of the job market for some time. It is just so hard. We want to help a woman feel good about herself.” Once a woman finds a job, Dress for Success Triangle continues to support her, providing employment retention training and continued professional development. She also becomes part of the organization’s Professional Women’s Group, a network with mentors and leaders who help women navigate the workplace. They support each other as they tackle new routines and company culture and work-life balance. Briggs says Dress for Success Triangle is also committed to equipping its women to become strong leaders in their workplaces and communities. This results in a strong network between employers and Dress for Success Triangle.“We have a lot of corporate donors,” Briggs says, “and in addition to supporting us financially, we ask them to hire the women who come from Dress for Success. They flag our women. It lifts them out of the enormous crowd of applicants.” And while corporations, foundations, inventory sales, and private donors offer the financial means to support the organization’s $1 million annual budget, it relies on a team of more than 365 dedicated volunteers to run effectively. They donate and sort clothes, provide style and career coaching, job training, networking, and employment retention support. Many of these volunteers are women, some of whom have gone through the programs themselves. Flanagan admits that the road to landing a job has felt long, overwhelming, and frustrating. But she credits Dress for Success Triangle (and a healthy dose of pure grit) with keeping her plowing ahead – now with strong interviewing skills, an impressive resume, and a sharp professional suit. Most importantly, she carries with her a renewed sense of empowerment. trianglenc.dressforsuccess.org Dress for Success Triangle deliversby Settle Monroe | photography by Lissa GotwalsStepping through the double doors of Dress for Success Triangle feels like entering a high-end boutique, not a nonprofit. Dresses and suits, many adorned with new tags and labels like Coach and Ralph Lauren, hang on racks. Italian leather shoes line the walls; modern jewelry fills a glass case. Women strut in and out of dressing rooms to oohs and ahhs of personal styling consultants. Their confidence is clear as they see themselves in the mirror for the first time in a sharp suit or a well-fitting dress. And while the clients at Dress for Success may choose from a variety of beautiful clothes, they are all here looking for the same thing: employment and economic security. Yeshimabet Flanagan is one of the 10,000 clients who has benefited from the powerful work of Dress for Success Triangle. The organization not only dresses women to enter—or re-enter—the workplace, it trains them for it, too. Flanagan turned to the organization about a year ago for help. Like many of the women who walk through its doors, she came eager to re-enter the workplace after years of staying home to raise her children, and was referred to the agency by one of more than 150 nonprofits that refer women who are ready to find employment. When Flanagan moved to New York City from Jamaica in 1998 at 16, leaving seven siblings and nearly all of her family behind, she was quickly able to secure a job as a file clerk at an insurance company. Highly-motivated and personable, she worked her way up to earning a comfortable salary, even by New York City standards. In 2008, Flanagan moved to Raleigh and left the workforce in order to be at home with her sons. For a year now, she has been looking for a job. But despite her years climbing the corporate ladder to become an insurance broker, the large gap on her resume and her lack of a college degree have made it difficult to secure meaningful employment. Dress for Success Triangle has been the engine of perseverance for Flanagan in the face of numerous rejections and unreturned phone calls. “Transitioning back to the workplace is really hard,” Flanagan says. “Hearing ‘no’ again and again can be frustrating and disempowering. I’ve always been able to secure jobs by word-of-mouth. I have never had to pound the pavement. But Dress for Success is helping me navigate this new, current world of job searching.” And a new world it is. Unlike her first foray into the workplace, resumes are now submitted online. Computer programs search for specific key words in the resumes and reject those without them. Automated systems respond to job inquiries and cover letters. The result: The modern job search can be discouraging, impersonal, and isolating.
Michael Cleveland & Flamekeeper play to a large crowd early afternoon on the City Plaza Stage Friday, October 3, 2014, during IBMA’s Wide Open Bluegrass. photograph by Juli Leonardby William LewisThe grass is bluer here in the Triangle. The International Bluegrass Music Association’s annual World of Bluegrass festival returns to Raleigh for the fourth time Sept. 27 – Oct. 1. It’s the who’s-who event in the banjo-pickin’ world, with live concerts, conferences and workshops, plus the IBMA awards show. William Lewis is the executive director of PineCone and the producer of Wide Open Bluegrass, the festival’s music extravaganza that closes out the week in downtown Raleigh. Below, he shares some thoughts on how to best enjoy the music he loves.PineCone works year-round planning Wide Open Bluegrass with IBMA and our Raleigh partners at the Convention Center and Visitors Bureau. So, you can imagine our concern last fall when Hurricane Joaquin caused us to scrap those plans and start over – moving the entire festival indoors in a period of a few days. Although we are all very proud of the results, and now know that it can be done, we hope to never have to do it again. Bluegrass festivals are best enjoyed under blue skies.Wide Open Bluegrass holds a special place in the hearts and minds of many in our city. While the event’s attendance and economic impact are impressive, I’m always overwhelmed by the pervasive and profound sense of community pride. For an entire week, the world joins us in celebrating one of North Carolina’s homegrown traditions – bluegrass music. And our folks turn out in droves to support it. Not only are they taking time to enjoy the music, dance, art, and food, but they are also going out of their way to welcome visitors to our city and our state. Raleigh’s hospitality ranks very high for attendees, according to post-event surveys.The Piedmont Regulators play on the steps of the Fayetteville Street Post Office during the Wide Open Bluegrass festival on Fayetteville Street in Raleigh, N.C. Saturday October 4, 2014.After hosting one of the world’s largest indoor bluegrass hurricane parties last year, we are excited to return Wide Open Bluegrass to Fayetteville Street and to the Red Hat Amphitheater in 2016. The amphitheater will feature performances by a wide range of bluegrass all-stars, including Ricky Skaggs and Kentucky Thunder, the Del McCoury Band, and Steep Canyon Rangers, among others. As always, we are planning lots of unique collaborations and special guests to preserve the event’s “must see” status. I’m particularly excited about the Nitty Gritty Dirt Band celebrating its 50th anniversary in Raleigh, and the rare performance by the Soggy Bottom Boys – famous for the soundtrack of the blockbuster film O Brother, Where Art Thou? And the perennial favorites the Kruger Brothers return to the festival, this time joined by a 14-piece orchestra to perform an original piece written by Jens Kruger.It is a win-win for those purchasing tickets to Red Hat Amphitheater, because they are guaranteed world-class entertainment while also supporting a very important cause. A portion of proceeds from amphitheater ticket sales go to the IBMA-operated Bluegrass Trust Fund, a nonprofit organization that provides financial assistance to individuals in the bluegrass music community in times of emergency need.As for the free StreetFest portion of Wide Open, we are expanding the footprint of the event south of City Plaza toward the Duke Energy Center for the Performing Arts. The wildly popular Dance Tent Stage will now be located there, along with the N.C. Whole Hog Barbecue Championship, a food truck rodeo, junior Appalachian musicians’ showcase, arts and food vendors, kids’ games, and other fun activities. This area has lots of trees for shade and open space with grass for picnic blankets.Each year we try to tweak the event to make it a bit better than the last. We hope everyone will join us for what is sure to be another wide open bluegrass experience.For a full schedule and to purchase tickets, visit ibma.org.
Sam McDonald, Matt Thomas, Billy Warden, and Jeff Holshouser of The Floating Children, photo by Jonathan Drakeby Billy WardenNot even the makers of Viagra have pitched the restorative powers of their product as insistently as proponents of rock ’n’ roll.From Bruce Springsteen to Joey Ramone to Pink, billions of decibels have gone into claiming for the music the mantle of all-purpose elixir, mender of broken hearts, guardian of the faithful’s most delirious dreams.Truth? Hokum? This summer, I got my chance to find out.On the evening of April 20, while playing catch-up with another blown tax deadline, an email arrived from the organizers of the Be Loud! Sophie Foundation. Would my old band reunite for the foundation’s annual August fundraising extravaganza at the Triangle’s venerated mecca of indie rock, The Cat’s Cradle?The tax sheets melted away along with the political argument in the kitchen. The email swept me back to the riotous late-’80s heyday of The Connells, The Pressure Boys, The Veldt, Three Hits, and my baby, The Floating Children.Of course, a reunion was out of the question. Completely impractical. What with family obligations and business responsibilities. Naturally, I replied: “Oh HELLZ YES.”Now, a quick word on how ill-advised this may have looked to an outsider. The Floating Children were not a stand-and-strum band. A writer of the era described us as “the New York Dolls run amok in Pee-Wee’s playhouse.” We were an anarchic, confetti-spewing mayhem machine.So as I lay in bed that night, troubling questions commingled with chronic back pain: “How could a middle-aged reunion NOT fall flat?” “If my wife leaves me in shame, which car will she take?” And, “how to make a reunion count for something beyond nostalgia?” The answer to the last question, counterintuitively, was to up the ante, heighten the risk. The next day’s proposition to the rest of The Floating Children included the reunion performance – plus, “how about we write new songs?”New tunes would mean stretching beyond old tricks. They would require creativity and commitment. They would be a more profound test: Did we still, somewhere inside, carry that spark of inspiration?The band didn’t balk. We went to work emailing lyrics and texting demos – me, Jeff Holshouser, Jody Maxwell, James Olin Oden, Steve Eisenstadt, and Larry Burlison in the Triangle; Sam McDonald and new guy Matt Thomas in Norfolk.Craggy reserves of creativitySure, everyone had jobs and workaday duties. But everyone also had craggy reserves of creativity to uncork. Two new tunes came together fast – and with considerably more melodic hooks than 25 years ago. I couldn’t vouch for each band member’s bodily fitness, but creatively we were in fine form.Soon, the rehearsals revealed our physical and emotional conditions. Physically, the eight of us looked to be a collective 90 pounds or so overweight – not exactly Olympian, but certainly respectable by middle-aged standards.Emotionally, we were a ragged parade of humanity straight out of a Bob Seger double album. Divorce, money woes, exhaustingly complicated bachelorhood, kid concerns – they were all in the mix. But none of it slowed us down. When we played, energy and optimism gushed.We recorded the new tunes in a daylong blizzard of missed notes, surging solos, profane pep talks, and tequila shots. Then came the show. Creating new music had limbered us up. We were rock ’n’ roll acrobats again. And when our original background singer and “dance diva,” Tracey Brown, entered the dressing room, confetti bucket in hand, we were beyond inspired.Backed by an overzealous fog machine operated by my first-pumping teenage son, The Floating Children ’16 put on what some longtime fans called our best show – period. And, by the grace of the rock gods, we picked up new fans. They included 17-year-old guest saxophone player Lee Sullivan, who noted approvingly, “Putting on weird clothes and playing freaky music. The Floating Children go hard.”Indeed, we did – and not just musically. There were ridiculous twirls and foolish shimmies and other moves that away from the adrenaline rush of the stage would land me in intensive care.I hugged each Floating Child at least 120 times that night. While every embrace was an expression of genuine affection, maybe I was also trying to get a firm hold of something more ethereal. The magic that generations of stars and nobodies had promised was real. I wasn’t 22 again; but nor was I the same harried businessman/dad I had been on the night the reunion offer arrived.As The Floating Children prepare to share those new tunes with the world via technologies that we couldn’t imagine a quarter century ago, I am – we are – back to square one. Hoping that a few folks out there get it and groove along. The gamble is electrifying. The secret, then, of rock ’n’ roll’s restorative power is simply, beautifully this: The risk is the reward. Billy Warden is the co-founder of the marketing agency, GBW Strategies, and an incorrigible song-and-dance man. The Floating Children’s new songs are available on Facebook, SoundCloud, and YouTube.
Carr McLamb, left, and Henry Neese coach youth basketball at Halifax Community Centerby Settle Monroephotographs by Robert WillettAround these parts, basketball is serious business. As November arrives, a charged wave of excitement runs through our state that lasts through March Madness. Tides shift as alliances are formed and enemy lines are drawn. Weeknights are spent glued to the television, and mornings are spent perusing the sports page to learn late game results. It is no secret that North Carolinians, particularly Raleighites, feel great pride for their hoops. But basketball pride is not limited to highly publicized teams or games. Walk into any of one of Raleigh’s public gymnasiums during the season and take a quick look at the boisterous fans, the demonstrative referees, and the enthusiastic players diving for loose balls: It is immediately clear that passion for the sport starts young. Each year the City of Raleigh, through its Parks, Recreation, and Cultural Resources department, registers hundreds of boys and girls eager to play on one of the league’s numerous basketball teams. Each team is led by a pair of volunteer coaches. This season, two of these coaches, Carr McLamb and Henry Neese, will embark on their 10th year coaching boys’ basketball (ages 13-15) for the league. The longtime friends met in 2001 when Neese played for McLamb, then a student at N.C. State in his first year of coaching. Years later, in 2007, they ran into each other at a N.C. State football game and agreed to return to the court, this time to coach together. McLamb took the helm as the head coach, and Neese served as the assistant. It was the beginning of what has become a City of Raleigh Parks, Recreation, and Cultural Resources coaching establishment. For McLamb and Neese, coaching middle school boys is about more than teaching basketball skills. Both men well understand their positions as positive role models for their players. At the first practice of the season, McLamb and Neese explain their three guiding principles: One, have fun; two, improve as an individual; three, improve as a team. They also work tirelessly to instill in their players a sense of accountability and responsibility, insisting that each player show up on time prepared for practices and games. If a player has to miss a practice or game, he must call in advance to let them know. Coach McLamb is unwavering: “We want to hear from the players, not their parents, if they have to miss. They all have cell phones. So they have no excuses. We expect for each player to come to practice ready to give it all he’s got. Our team depends on it.” While basketball is serious business, for McLamb and Neese, having fun is the main priority. McLamb says, “We’ve had teams that have won championships, and we’ve had teams that really struggled. But we have never had a team that didn’t have fun.” Kirkland Caison, now a student at UNC-Chapel Hill, knows this well. Caison played for McLamb and Neese for two years in middle school and still keeps in touch with them today. “The real impact they have had is off the court,” Caison says. “Whether it be college applications or job inquiries, I have come to them many times seeking advice. They are great older brother figures, able to share honestly about their life experiences and offer suggestions to different problems I have dealt with.” At the same time, McLamb and Neese make no bones about it – they want to win basketball games, and they are strategic in their efforts. They spend nights in the gym watching other teams play to develop scouting reports. They have mastered the art of the pre-season draft. And they can recite statistics and figures from every team they’ve coached. With two practices and a game each week, coaching is a major commitment for these two Raleigh lawyers. When asked how many hours a week they spend on coaching, Neese laughs, “That depends. If you count all of the conversations we have during the week about the team, it really adds up.” McLamb and Neese both point to George Deloache, their former coach at the Jaycee Center, as their coaching inspiration. McLamb explains, “Most of what we do, we learned from George. We run the same sets he taught us as young players. He was such an important figure for us during our youth. We hope to be the same for our players.” Deloache, a longtime City of Raleigh coach and a legend in his own right, understands the deep impact that coaches can have on their players. “Middle-school-aged guys in particular are still trying to figure everything out,” he says. “For example, where does being competitive cross the line into bad sportsmanship? So, they are looking for role models.” So far, McLamb and Neese have won one city league championship, been the regular season champions twice, and made four semifinal appearances. And this coaching duo has no plans of hanging up its whistles anytime soon. “We’re not married. We don’t have kids. We have time to do it. And we love it. For the foreseeable future, we’ll be coaching.”
Paris Alexander, Second Sight; courtesy Raleigh Fine Arts Societyby Jesma ReynoldsNumbers and art may make an unlikely pairing. But in this case, the numbers bear repeating. Beginning March 12, the largest juried art exhibition in the state featuring 72 pieces from 61 North Carolina artists will be exhibited at the Duke Center for Performing Arts.Sponsored by the Raleigh Fine Arts Society, the show is in its 38th consecutive year. It’s part of the nonprofit group’s effort to promote the visual, literary, and performing arts, as it has for the past 51 years. This year’s juror, Michael Rooks, the Wieland Family Curator of Modern and Contemporary Art at the High Museum in Atlanta, reviewed 607 pieces by 353 artists from 105 cities and towns across the state before making his final selections.The large number of submissions reinforces the depth of talent in the region, says Rooks, who also also says that skill is the common denominator in the works. Rooks writes in the accompanying exhibition catalog, “being highly skilled is an essential artistic attribute and is critically important in facilitating an exchange with audience.”Following a lecture at 4 p.m. on March 12, Rooks will present five awards: a grand prize, three juror’s choice awards, and a student artist award. A reception will follow in the center’s Betty Ray McCain Gallery. The exhibition runs until April 27.raleighfinearts.org/NC-Artists-Exhibition
Tatiana BirgissonFounder, Mati EnergyTatiana Birgisson is the founder of Mati Energy, the healthy energy drink she created in her Duke dorm room five years ago. Today, a new 30,000 square-foot manufacturing facility in Clayton has her brewing as many as one million cans a month for sale at Whole Foods Market and other retailers in 12 states across the Southeast and beyond.She made Forbes magazine’s list of “30 Under 30” in the Food and Drink category this year – unsurprising, perhaps, for a business growing more than 100 percent a year.So what she says she wants to talk about at WINnovation might come as a surprise: “My story really starts with depression,” she says, “and my story is about the mental skill set that I gained to overcome depression.”She did it with perseverance, grit, and focus – not unlike the way she’s built her company, which focuses on health and well-being.“Even though life deals you a tough card, you can become a much stronger person,” she says. As Mati also goes from strength to strength, producing more than 100,000 cans a month of her proprietary combinations of tea and juice for an ever-expanding customer base, Birgisson’s hard-earned success has also resulted in wisdom worth sharing.
Killer Tacosby Katherine Poolephotograph courtesy Xoco RaleighDo you prefer your carne with a side of carnage? Check out Xoco Raleigh, where every day is Dia de los Muertos. Aztec for “little sister,” Xoco is the kooky kid sibling of North Raleigh’s favorite haunt Dos Taquitos. “Haunt” isn’t a bad word for Xoco, either – it seems that when the Mexican eatery opened in the Old Creamery building on Glenwood South, it had a few disgruntled former tenants to contend with. Maybe the restaurant folks shouldn’t have been surprised: After all, the building has a grim history, including damaging fires and multiple deaths, including a murder by a serial killer. Perhaps that explains why dishes fly off shelves, lights flicker on and off, and spectral voices whisper in the dark. But the Xoco staff is armed with good mojo, and happily embraces its status as otherworldly outpost. They have even gone so far as to invite a local ghost-busting firm known as ASAP (As Southern as Possible) Paranormal in to verify mysterious disturbances. Ain’t afraid of no ghosts? Then, steel your nerves with a margarita or two and order extra queso, because you never know who might be joining you for dinner.
courtesy Ashley NorrisQueenie Wahine encourages girls to dive in by Catherine CurrinTwo North Carolina sisters took to the waves for inspiration for their children’s book, Queenie Wahine: Little Surfer Girl. Greenville resident Ashley Norris and her sister Jessica Lowcher collaborated as author and illustrator, respectively, to create the quirky and inviting story. Queenie Wahine is the first of their upcoming series, Tribe of Daughters. “We started writing our book because we want to encourage girls to get out in the ocean, play, be brave, and try new experiences. Our main goal is to have girls as main characters in action-adventure sports.”courtesy Ashley NorrisThe book empowers young girls to stay active and embrace outdoor action sports, while encouraging the growing women to protect natural resources around them. Norris hopes their storybook’s message will resonate with other organizations to spur environmental change. She says the sisters believe in the power of their readers, too. “We believe that little girls who love the ocean grow up to be women that advocate to protect it.”Norris and Lowcher wrote from their experience growing up on the coast of North Carolina. From an early age, they were avid surfers. Today, the family sport continues: Norris and her daughter hit the waves on the coast not too far from their home in Greenville, while Lowcher dives in across the world in New Zealand, where she now lives. The pair will release their second book, Little Millie Ford and Her New Skateboard, this summer.
Katherine PooleA new park honors historic Oberlin Villageby Katherine PooleAt a small construction site on Oberlin Road between Wade Avenue and Cameron Village, five slightly curved, rough-hewn clay and concrete spires rise up, almost impossibly, from the earth. This is the beginning of Oberlin Rising, an art installation and park by local artist Thomas Sayre, with much help and inspiration from the surrounding community.Oberlin Village was established after the Civil War by freed slaves on land that was once a plantation. By the turn of the century, it was a thriving neighborhood and many of the original homes and structures are still intact, making it one of North Carolina’s few remaining Reconstruction-era communities. It will now be honored and preserved with this new park, set to open later this spring.Do not pick up or remove stones, rocks, glass, or shrubbery. These simple items are often grave markers. So reads a sign marking nearby historic Oberlin Cemetery, which predates the village and is thought to be a burial site for slaves. Those lines are the guiding inspiration for the park, Sayre says. He hopes the place will be a marker for the unmarked, a symbolic “marking of this community” to the greater Raleigh area, and he worked closely with Oberlin Village residents to bring it to reality.courtesy ClearscapesEach element of the installation is a marker, from the self-renewing landscaping to the lines of lune poetry integrated into the design by local poet and playwright Howard L. Craft. The five earthcast spires represent the labor of the community, from farming and trade work to education and social justice. Sayre had a surveyor make a site line for the spires to aim directly toward the cemetery (which is located behind the Interact building). Even the park’s marker is a marker: Sayre gathered the 10 oldest and 10 youngest village residents to cast their hands in concrete that was used to construct the Oberlin Rising sign. In February, Raleigh’s City Council granted the project an historic overlay, which sets specific design guidelines for new construction and renovation. The measure was an important step in recognizing this monumental effort to celebrate the Oberlin Village community. Walter looks forward to telling you more about the park upon its opening.
Juli LeonardLara O’Brien Muñoz is a principal dancer with Carolina Ballet, where she has been for 17 years, and owner of the ballet schools Tutu School Raleigh and Tutu School Cary. She is also a wife and the mother of 1-year-old son, Theo. “I love the intersection of softness and strength, delicacy and power, playfulness and determination,” Muñoz says. She’s eager to explore the intersection at WINi, pointing to inspiration from a friend and fellow dancer who said, “regarding the world of ballet, that the layers of tulle and sparkle that make up a tutu sit on top of a whole lot of muscle, substance, and strength. My journey as a ballerina has certainly allowed me a playground to explore my femininity and ‘girly-ness,’ however my success in such a career has been through sheer discipline, dedication, and determination. Holding these qualities together is something I’m really proud of in my life. It’s now something I’m exploring as it extends to balancing business ownership and motherhood, too. … My personal mission through Tutu School is to allow young children, many of whom are girls, the opportunity and freedom to explore their own imaginations and self-expression, find confidence in their bodies, and a voice through movement and music.”Tickets