29 November 2004Public Enterprises Minister Alec Erwin opened Turbomeca Africa’s new manufacturing and maintenance facility adjacent to Johannesburg International Airoport on Friday.The new facility will manufacture gearboxes and civil and military helicopter engines.Turbomeca Africa is a joint venture formed two years ago by South African arms manufacturer Denel and French group Turbomeca, a subsidiary of Snecma.The company manufacturers engines for both domestic firms and international companies such as Rolls-Royce and General Electric, and gives support to repairs and overhauls of civil and military helicopter engines in sub-Saharan Africa.Denel owns 49% of Turbomeca Africa, while the French group owns the remaining 51%.Turbomeca Group chairman Emeric d’Arcimoles said it was a vote of confidence that Turbomeca France was transferring its workload to Turbomeca Africa.He said that engines from the French and British ministries of defence would be overhauled in South Africa from 2005, and that engines for Swedish and Malaysian military aircraft would also be exported by Turbomeca Africa.“We are in the process of re-employing additional competency at the right place to support the growing 2005 demand from Snecma Group, international markets for manufacturing, repair and overhaul, and from the South African Air Force”, d’Arcimoles said.Erwin said the establishment of the new facility was in line with the government’s plan to expand South Africa’s aerospace capabilities and gain entry into the global environment.The venture was also part of the government’s initiative to restructure state-owned enterprises and strengthen their global competitiveness by allying them with foreign partners.“Its an important area for us … to begin to invest in new technology so that we develop our capacity to export”, Erwin said. “We are confident that once we form partnerships with foreign companies, we will attract more foreign partners.”Denel CEO Victor Moche said the new facility would be geared to become a “centre of excellence for engine manufacturing … We want to achieve a standard and be at a stage where the world knows that certain engines are made only in South Africa”.According to Business Day, Denel was recently awarded a US$2-million contract by European military aircraft manufacturer BAE Systems to supply aircraft components for the production of Hawk jets for India’s airforce.Source: BuaNews
15 November 2012The Gauteng provincial government and Nissan South Africa have started construction on a new automotive training academy at Nissan’s plant in Rosslyn, Pretoria, in a bid to tackle the shortage of vehicle assembly and automotive component manufacturing skills in the country.The Gauteng Automotive Training Academy, which will house a world-class automotive manufacturing training simulator, will open its doors in January 2013 and is expected to train approximately 1 000 learners a year. It will be the first government-owned automotive training academy in the country.“The provincial government has maintained a focus on the automotive manufacturing sector and worked consistently to provide an environment that is conducive to growing its competitiveness,” Gauteng MEC for Economic Development Nkosiphendule Kolisile said at an official launch ceremony on Wednesday.“This collaboration with Nissan South Africa highlights the strong level of confidence the company has in Gauteng.”Nissan managing director Mike Whitfield, also speaking at Wednesday’s launch, said that skills development was vital to the sustainability of South Africa’s automotive industry, “and our involvement in the Automotive Training Academy demonstrates our commitment to the industry’s long-term survival”.According to Engineering News, Nissan SA had donated land and buildings valued at R17-million for the academy, and would pay the rates and utilities on the facility, while the Gauteng government would refurbishing the site for the academy, the total cost of which was estimated at R50-million.Engineering News reports that the academy will be managed by the Automotive Industry Development Centre, a subsidiary of the provincial government’s Gauteng Growth and Development Agency.SAinfo reporter
TagsTransfersLoan MarketAbout the authorPaul VegasShare the loveHave your say DONE DEAL: Peterborough sign Brighton defender Ben Whiteby Paul Vegas10 months agoSend to a friendShare the lovePeterborough United have signed defenders Ben White and Daniel Lafferty on loan from Brighton & Hove Albion and Sheffield United respectively.Both players have joined the League One side until the end of the campaign.White, 21, spent last term on loan with Newport County and has featured for the Seagulls’ Under-21 side in 2018-19.Seagulls boss Chris Hughton said, “This move is one which allows Ben to play regular first-team football at a good level for his development. At this stage of his career it’s important that he continues to gain as much match experience as possible.“He’s someone who we’ve had around the first-team squad for the first half of the campaign, but with competition for places increased with the return of Dan Burn from Wigan, this gives him the chance to go out and play regular football at a level higher than he experienced last season.”
Hyypia has no doubt about Liverpool title focusby Paul Vegas13 days agoSend to a friendShare the loveLiverpool Champions League title winner Sami Hyypia has no doubts about the team’s title focus.But while Liverpool stretched their lead over Manchester City to eight points going into the international break, Hyypia knows there is a long road ahead. He said, “It’s a great thing that no one left last summer – they kept all their big players. And, when I see them play, it looks like everyone wants to be there to play for this club and be in this team.“I watch them and it seems they are having fun playing at such an extraordinarily high level – but they are also demanding of each other. That’s why they won’t ease up.“I saw the episode with Mo Salah and Sadio Mane, but, far from thinking that was damaging to the dressing room spirit, I thought that showed how strong it is.“It just shows that everyone wants to win together and what a great group Klopp has built with that dynamic.“It’s always good to have that kind of openness where players can call each other out. That’s part of the culture of winning.“All successful teams have that desire, which means they demand more from each other.“I remember some sparks flying between players when I was at Anfield – and that’s only good for the team.” About the authorPaul VegasShare the loveHave your say
SAN DIEGO, CA – MARCH 18: Head coach Bob Huggins of the West Virginia Mountaineers reacts as they take on the Marshall Thundering Herd in the first half during the second round of the 2018 NCAA Men’s Basketball Tournament at Viejas Arena on March 18, 2018 in San Diego, California. (Photo by Donald Miralle/Getty Images)TCU nearly landed a massive win in Morgantown against the No. 18 West Virginia Mountaineers, a game that would have given some legitimacy to TCU’s impressive early season record. Instead, the Horned Frogs will travel back to Fort Worth with a brutal loss. With under a second left in overtime, and his team up 85-84, TCU’s Kyan Anderson fouled West Virginia reserve guard Jevon Carter. Carter hit two clutch free throws to give West Virginia the late go-ahead lead. West Virginia goes to 16-3 with the win. The Mountaineers are definitely a factor in a very tough Big 12 this season.
Twitter/@derekjstevensCollege basketball fans will tell you to never bet against Tom Izzo in March. One Las Vegas casino owner, Derek Stevens, placed a $20,000 bet on Michigan State to win the title back after the team’s 79-78 overtime loss to Notre Dame on December 3. The 5-3 Spartans were at 50-1 to win it all at the time, giving Stevens a potential payout of $1 million.I’ll be @theDlasvegas #LONGBAR to #SpartyOn THX @GoldenNuggetLV & @Gollumlv for giving me the shot @darrenrovell pic.twitter.com/GjK1ueQfin— Derek Stevens (@DerekJStevens) March 31, 2015In an article by ESPN’s Darren Rovell, sportsbook director Tony Miller admits that this is a big risk for the casino.…Miller accepted Stevens’ $20,000 bet, never thinking he’d be sweating the possibility that the Spartans could pull it off. “In my nine years at this sportsbook, I never accepted a bet that could result in us paying $1 million,” Miller said. “The most I’ve ever seen won here was a $100,000 parlay.”…Miller and Stevens have become good friends over the years, which makes the fact that the Spartans have two games to win it all a bit awkward.“This would be a massive loss for us,” Miller said. “I see days where we lose $10,000 to $30,000, but nothing close to $1 million.”Michigan State is a five point underdog against Duke on Saturday, and would play either Kentucky or Wisconsin for the title on Monday night. Stevens still has a long way to go to cash in, but it is definitely impressive that his bet is still alive.[ESPN]
Jamaica’s nomination file, dubbed ‘Reggae Music of Jamaica’, was submitted in March 2017. It is anticipated that the genre may be inscribed in 2018. Delegates attending include representatives from the cities of Hamamatsu, Japan; Katowice, Poland; Glasgow, Scotland; Amarante, Portugal; Adelaide, Australia; Hannover, Germany; Norrkopink, Sweden; and Daegu and Tongyeong, South Korea. Delegates from eight countries are in the island for the annual United Nations Educational, Scientific and Cultural Organization (UNESCO) Creative Cities of Music Subnetwork Meeting being held at The Jamaica Pegasus hotel in New Kingston from February 16 to 18. Story Highlights Delegates from eight countries are in the island for the annual United Nations Educational, Scientific and Cultural Organization (UNESCO) Creative Cities of Music Subnetwork Meeting being held at The Jamaica Pegasus hotel in New Kingston from February 16 to 18.The four-day meeting, which is being held in the Caribbean for the first time, aims to strengthen ties between designated Creative Cities of Music and serves as a platform for discussions on musical creativity.Delegates attending include representatives from the cities of Hamamatsu, Japan; Katowice, Poland; Glasgow, Scotland; Amarante, Portugal; Adelaide, Australia; Hannover, Germany; Norrkopink, Sweden; and Daegu and Tongyeong, South Korea.A key part of the discussions will centre on the Government’s submission of a nomination dossier to inscribe Reggae on UNESCO’s Representative List of Intangible Cultural Heritage for Humanity.Jamaica’s nomination file, dubbed ‘Reggae Music of Jamaica’, was submitted in March 2017. It is anticipated that the genre may be inscribed in 2018.The international protection instrument will ensure that the origins of Reggae and its derivatives are appropriately documented and safeguarded for present and future generations.In her remarks at the opening ceremony, Minister of Culture, Gender, Entertainment and Sport, Hon. Olivia Grange, expressed the hope that the discussions will yield positive outcomes.“I hope that the conversations and sharing that will arise during the course of the meetings will look at how cities that lack capacity in one area can be bolstered by other cities within the network that are able to provide support in technical areas of cultural mapping, cultural data gathering and cultural data analysis. I am sure that the music cities will find a model that can be replicated across your network of other creative cities,” she said.Meanwhile, Kingston’s Mayor, Senator Councillor Delroy Williams, said the initiative is important for the development of Jamaica’s reputation as a Creative City of Music, a designation that was bestowed by the UNESCO in December 2015.“We have a competitive advantage as a city in the creative industries, and we have to use that advantage to the benefit of the city’s economy. We are committed to building the creative industries in order to build the economy of the city and the economy of our country,” he said.Director and Representative of the UNESCO Kingston Cluster Office, Yuri Peshkov said the meeting is timely, coinciding with the annual Reggae Month celebrations in February, pointing out that “that gives us the opportunity to share experiences in the emerging and vibrant creative music sector”.
Four of the 10 students presenting at Art2Wear work on their garments for the upcoming show. from left: Sydney Smith (senior), Sara Clark (junior), Gillian Paige (senior), and Sarah Cannon (senior).by Justin LeBlancphotographs by Benjamin ScottApril is crunch time at the N.C. State College of Design and College of Textiles. Student designers, models, and event planners are working overtime to prepare for our 13th annual Art2Wear Runway Show on April 25.Art2Wear is very special to me. The event contributed to a career-changing decision, when, as a student nearing graduation, I transitioned from architecture to fashion. Art2Wear gave me the opportunity to fulfill my passion for functional art, becoming an important stepping stone in my career. It led to my appearance on Season 12 of Project Runway and to my Spring 2014 collection presentation at Mercedes Benz Fashion Week in New York.This year’s Art2Wear will give a new group of students their chance at a once-in-a-lifetime opportunity: To have control of a stage where they can make their own dreams a reality. It’s a showcase for the best of the best and provides a perfect opportunity for the audience to meet top-notch designers in their transformative years.Art2Wear is also an educational event for the students, where they learn just what it takes to put on a major runway fashion event. With their imaginations running at full throttle, students have the chance to showcase their diverse interpretations of style, all centered on the event’s theme: Accelerated Evolution: Speed.I must tell you, there is no shortage of imagination. The energy has been buzzing for the past several months leading up to the event. Last year’s runway show, Hypernatural, drew more than 4,000 attendees. The atmosphere and mood were electric.We can only speculate, but the theme of this year’s show conjures up many possibilities: motion, change, technology, time, and transformation. I get goose bumps just imagining it.There will be 10 new collections featured at this year’s event designed by students from diverse disciplines ranging from Art and Design to Industrial Design.Will it be art? Will it push boundaries? Will it tell a story?I believe Art2Wear will be all of that and more – a celebration of style, art, and talent.
A scene from The Happiest Millionaire. Courtesy Walt Disney Studios.by Cameron HowardThe red Netflix envelope arrived in my mailbox on Duke’s East Campus, and I opened it back in my dorm room, which still bore the signs of recent, frenzied moving-in. The DVD was The Happiest Millionaire, a 1967 Disney musical starring Fred MacMurray as Anthony Drexel Biddle, the Philadelphia scion of a banking fortune. He’s an eccentric but very “happy millionaire” who runs a Bible and boxing school out of the stable, keeps alligators in the conservatory, and adores his eldest daughter Cordelia, played by Lesley Ann Warren.It’s a fun film marked by that peculiarly joyful but slightly sideways quality of Disney’s family films from that era, and it’s interesting to watch legends like MacMurray and Greer Garson, who plays Biddle’s wife, still dominating the screen decades after their careers began.As I sat there in my clunky wooden chair and matching desk in my tiny room, the experience took a surreal turn when Cordelia’s suitor, a young man by the name of Angier Buchanan Duke, and his mother, Sarah, entered the picture. Yes, those Dukes! Angier Duke was Benjamin Duke’s son and Washington Duke’s grandson, and he really did marry Cordelia Drexel Biddle. (In an odd turn of events, one of Cordelia’s brothers married Angier’s sister Mary, who was Mary Duke Biddle Trent Semans’ mother, hence the various arrangements of Biddle/Duke names scattered around campus.)A scene from The Happiest Millionaire. Courtesy Walt Disney Studios.I thus had the strange experience of watching a (highly) fictionalized film based on the Duke family on Duke University’s campus in a dorm room three minutes away from the Biddle Music Building. To make it even weirder, I had visited the Sarah P. Duke Gardens just that afternoon. I hadn’t intended to start my college career with a classic movie about the Duke family, but it could not have been a more perfect choice.After all, I’d been a Duke fan years before I became a student. I was one of those toddlers decked out in Duke gear babbling cheers and flinging pom-poms at what I felt was “my” stadium long before I understood why. My love for old Hollywood goes back just as far; I grew up watching Seven Brides for Seven Brothers and Bringing Up Baby instead of Full House and Saved by the Bell, and have adored classic movies for as long as I can remember.And I’m still utterly enthralled. It’s the glamour, the cleverness, the glorious style, and the subtlety (often due to a production code that kept things “clean”). It’s the virtuosic dancing, the rapid-fire dialogue, the amazing almost-but-not-quite British accents, the gorgeous costumes intended to astound, and that red lipstick that somehow never smudges. And it’s the stars, those idols of a nostalgic glamour preserved on glossy strips of celluloid. I love it all: the dreamlike musicals, timeless dramas, unsettling noirs, topsy-turvy screwballs, and tear-jerking melodramas – and how each one, whether it’s included in the canon or not, holds its own secrets and its own seedy and marvelous history.Sometimes films from the Golden Age can seem like slower, tamer, even painfully old-fashioned versions of today’s movies. But classic film is an art form with its own conventions, techniques, and aesthetics. The films are deceptively dense; each frame is packed with layer upon layer of choices, innovations, deliberate decisions, and miraculous mistakes that contribute to the fantastic shadows flashing by at 24 frames per second.But if the art of the films doesn’t grab you, the history might. Just like any artifact of a past age, these films are veritable time capsules inadvertently exposed to light. Old movies reproduce a certain moment in time, often without meaning to, though of course the “reality” they present is usually more beautiful, simpler, and far less chaotic than the real world has ever been.Courtesy Walt Disney Studios.It’s a cliché to bemoan “they don’t make ’em the way they used to!” but it’s entirely true. Hollywood functioned very differently then: The studios owned most of the theaters, almost everything was filmed on enormous backlots, and everyone, from the biggest stars to the carpenters and electricians, were under contract to a particular studio. The “dream factories” churned out movies from the teens to the fifties, and only began to crumble after the Supreme Court declared the massive studios in violation of anti-trust laws in 1948. It was this unbridled power that made classic Hollywood so extraordinary.Take Esther Williams. She was a national champion swimmer who was a favorite for the Olympics, but her life took an improbable turn when the 1940 Games were cancelled. MGM scouts were looking for an answer to Fox’s ice-skating sensation Sonja Henie, and decided a shapely swimmer would be just the thing. Williams was offered a contract (most actors had seven-year contracts with the studios) and MGM poured money into creating the “swimming musical,” building a massive pool complex inside a 32,000-square-foot soundstage, and turning a pretty nineteen-year-old into a glamorous movie star who captivated millions of moviegoers. For almost ten years, Williams topped the box office with her bright, sparkling movies featuring massive water extravaganzas that inspired the modern sport of synchronized swimming. The story of MGM’s mermaid verges on the absurd, but it could only have happened in the studio era during Hollywood’s Golden Age.Fortunately, these movies are undergoing something of a renaissance today. The DVD market, Turner Classic Movies, and companies like Netflix and ClassicFlix have made classic films available again. And theaters like Raleigh’s The Colony and The Cinema, Inc. and Durham’s Carolina Theatre turn screenings into events and recapture the magic of seeing these movies in their rightful place.As for me, I will always remember watching The Happiest Millionaire in my dorm room at Duke. I think of it every time I encounter the names Angier Duke or Biddle, and I smile at that weird, magical moment when Duke and classic Hollywood collided.