TagsTransfersLoan MarketAbout the authorPaul VegasShare the loveHave your say DONE DEAL: Peterborough sign Brighton defender Ben Whiteby Paul Vegas10 months agoSend to a friendShare the lovePeterborough United have signed defenders Ben White and Daniel Lafferty on loan from Brighton & Hove Albion and Sheffield United respectively.Both players have joined the League One side until the end of the campaign.White, 21, spent last term on loan with Newport County and has featured for the Seagulls’ Under-21 side in 2018-19.Seagulls boss Chris Hughton said, “This move is one which allows Ben to play regular first-team football at a good level for his development. At this stage of his career it’s important that he continues to gain as much match experience as possible.“He’s someone who we’ve had around the first-team squad for the first half of the campaign, but with competition for places increased with the return of Dan Burn from Wigan, this gives him the chance to go out and play regular football at a level higher than he experienced last season.”
Hyypia has no doubt about Liverpool title focusby Paul Vegas13 days agoSend to a friendShare the loveLiverpool Champions League title winner Sami Hyypia has no doubts about the team’s title focus.But while Liverpool stretched their lead over Manchester City to eight points going into the international break, Hyypia knows there is a long road ahead. He said, “It’s a great thing that no one left last summer – they kept all their big players. And, when I see them play, it looks like everyone wants to be there to play for this club and be in this team.“I watch them and it seems they are having fun playing at such an extraordinarily high level – but they are also demanding of each other. That’s why they won’t ease up.“I saw the episode with Mo Salah and Sadio Mane, but, far from thinking that was damaging to the dressing room spirit, I thought that showed how strong it is.“It just shows that everyone wants to win together and what a great group Klopp has built with that dynamic.“It’s always good to have that kind of openness where players can call each other out. That’s part of the culture of winning.“All successful teams have that desire, which means they demand more from each other.“I remember some sparks flying between players when I was at Anfield – and that’s only good for the team.” About the authorPaul VegasShare the loveHave your say
SAN DIEGO, CA – MARCH 18: Head coach Bob Huggins of the West Virginia Mountaineers reacts as they take on the Marshall Thundering Herd in the first half during the second round of the 2018 NCAA Men’s Basketball Tournament at Viejas Arena on March 18, 2018 in San Diego, California. (Photo by Donald Miralle/Getty Images)TCU nearly landed a massive win in Morgantown against the No. 18 West Virginia Mountaineers, a game that would have given some legitimacy to TCU’s impressive early season record. Instead, the Horned Frogs will travel back to Fort Worth with a brutal loss. With under a second left in overtime, and his team up 85-84, TCU’s Kyan Anderson fouled West Virginia reserve guard Jevon Carter. Carter hit two clutch free throws to give West Virginia the late go-ahead lead. West Virginia goes to 16-3 with the win. The Mountaineers are definitely a factor in a very tough Big 12 this season.
Twitter/@derekjstevensCollege basketball fans will tell you to never bet against Tom Izzo in March. One Las Vegas casino owner, Derek Stevens, placed a $20,000 bet on Michigan State to win the title back after the team’s 79-78 overtime loss to Notre Dame on December 3. The 5-3 Spartans were at 50-1 to win it all at the time, giving Stevens a potential payout of $1 million.I’ll be @theDlasvegas #LONGBAR to #SpartyOn THX @GoldenNuggetLV & @Gollumlv for giving me the shot @darrenrovell pic.twitter.com/GjK1ueQfin— Derek Stevens (@DerekJStevens) March 31, 2015In an article by ESPN’s Darren Rovell, sportsbook director Tony Miller admits that this is a big risk for the casino.…Miller accepted Stevens’ $20,000 bet, never thinking he’d be sweating the possibility that the Spartans could pull it off. “In my nine years at this sportsbook, I never accepted a bet that could result in us paying $1 million,” Miller said. “The most I’ve ever seen won here was a $100,000 parlay.”…Miller and Stevens have become good friends over the years, which makes the fact that the Spartans have two games to win it all a bit awkward.“This would be a massive loss for us,” Miller said. “I see days where we lose $10,000 to $30,000, but nothing close to $1 million.”Michigan State is a five point underdog against Duke on Saturday, and would play either Kentucky or Wisconsin for the title on Monday night. Stevens still has a long way to go to cash in, but it is definitely impressive that his bet is still alive.[ESPN]
Jamaica’s nomination file, dubbed ‘Reggae Music of Jamaica’, was submitted in March 2017. It is anticipated that the genre may be inscribed in 2018. Delegates attending include representatives from the cities of Hamamatsu, Japan; Katowice, Poland; Glasgow, Scotland; Amarante, Portugal; Adelaide, Australia; Hannover, Germany; Norrkopink, Sweden; and Daegu and Tongyeong, South Korea. Delegates from eight countries are in the island for the annual United Nations Educational, Scientific and Cultural Organization (UNESCO) Creative Cities of Music Subnetwork Meeting being held at The Jamaica Pegasus hotel in New Kingston from February 16 to 18. Story Highlights Delegates from eight countries are in the island for the annual United Nations Educational, Scientific and Cultural Organization (UNESCO) Creative Cities of Music Subnetwork Meeting being held at The Jamaica Pegasus hotel in New Kingston from February 16 to 18.The four-day meeting, which is being held in the Caribbean for the first time, aims to strengthen ties between designated Creative Cities of Music and serves as a platform for discussions on musical creativity.Delegates attending include representatives from the cities of Hamamatsu, Japan; Katowice, Poland; Glasgow, Scotland; Amarante, Portugal; Adelaide, Australia; Hannover, Germany; Norrkopink, Sweden; and Daegu and Tongyeong, South Korea.A key part of the discussions will centre on the Government’s submission of a nomination dossier to inscribe Reggae on UNESCO’s Representative List of Intangible Cultural Heritage for Humanity.Jamaica’s nomination file, dubbed ‘Reggae Music of Jamaica’, was submitted in March 2017. It is anticipated that the genre may be inscribed in 2018.The international protection instrument will ensure that the origins of Reggae and its derivatives are appropriately documented and safeguarded for present and future generations.In her remarks at the opening ceremony, Minister of Culture, Gender, Entertainment and Sport, Hon. Olivia Grange, expressed the hope that the discussions will yield positive outcomes.“I hope that the conversations and sharing that will arise during the course of the meetings will look at how cities that lack capacity in one area can be bolstered by other cities within the network that are able to provide support in technical areas of cultural mapping, cultural data gathering and cultural data analysis. I am sure that the music cities will find a model that can be replicated across your network of other creative cities,” she said.Meanwhile, Kingston’s Mayor, Senator Councillor Delroy Williams, said the initiative is important for the development of Jamaica’s reputation as a Creative City of Music, a designation that was bestowed by the UNESCO in December 2015.“We have a competitive advantage as a city in the creative industries, and we have to use that advantage to the benefit of the city’s economy. We are committed to building the creative industries in order to build the economy of the city and the economy of our country,” he said.Director and Representative of the UNESCO Kingston Cluster Office, Yuri Peshkov said the meeting is timely, coinciding with the annual Reggae Month celebrations in February, pointing out that “that gives us the opportunity to share experiences in the emerging and vibrant creative music sector”.
Four of the 10 students presenting at Art2Wear work on their garments for the upcoming show. from left: Sydney Smith (senior), Sara Clark (junior), Gillian Paige (senior), and Sarah Cannon (senior).by Justin LeBlancphotographs by Benjamin ScottApril is crunch time at the N.C. State College of Design and College of Textiles. Student designers, models, and event planners are working overtime to prepare for our 13th annual Art2Wear Runway Show on April 25.Art2Wear is very special to me. The event contributed to a career-changing decision, when, as a student nearing graduation, I transitioned from architecture to fashion. Art2Wear gave me the opportunity to fulfill my passion for functional art, becoming an important stepping stone in my career. It led to my appearance on Season 12 of Project Runway and to my Spring 2014 collection presentation at Mercedes Benz Fashion Week in New York.This year’s Art2Wear will give a new group of students their chance at a once-in-a-lifetime opportunity: To have control of a stage where they can make their own dreams a reality. It’s a showcase for the best of the best and provides a perfect opportunity for the audience to meet top-notch designers in their transformative years.Art2Wear is also an educational event for the students, where they learn just what it takes to put on a major runway fashion event. With their imaginations running at full throttle, students have the chance to showcase their diverse interpretations of style, all centered on the event’s theme: Accelerated Evolution: Speed.I must tell you, there is no shortage of imagination. The energy has been buzzing for the past several months leading up to the event. Last year’s runway show, Hypernatural, drew more than 4,000 attendees. The atmosphere and mood were electric.We can only speculate, but the theme of this year’s show conjures up many possibilities: motion, change, technology, time, and transformation. I get goose bumps just imagining it.There will be 10 new collections featured at this year’s event designed by students from diverse disciplines ranging from Art and Design to Industrial Design.Will it be art? Will it push boundaries? Will it tell a story?I believe Art2Wear will be all of that and more – a celebration of style, art, and talent.
A scene from The Happiest Millionaire. Courtesy Walt Disney Studios.by Cameron HowardThe red Netflix envelope arrived in my mailbox on Duke’s East Campus, and I opened it back in my dorm room, which still bore the signs of recent, frenzied moving-in. The DVD was The Happiest Millionaire, a 1967 Disney musical starring Fred MacMurray as Anthony Drexel Biddle, the Philadelphia scion of a banking fortune. He’s an eccentric but very “happy millionaire” who runs a Bible and boxing school out of the stable, keeps alligators in the conservatory, and adores his eldest daughter Cordelia, played by Lesley Ann Warren.It’s a fun film marked by that peculiarly joyful but slightly sideways quality of Disney’s family films from that era, and it’s interesting to watch legends like MacMurray and Greer Garson, who plays Biddle’s wife, still dominating the screen decades after their careers began.As I sat there in my clunky wooden chair and matching desk in my tiny room, the experience took a surreal turn when Cordelia’s suitor, a young man by the name of Angier Buchanan Duke, and his mother, Sarah, entered the picture. Yes, those Dukes! Angier Duke was Benjamin Duke’s son and Washington Duke’s grandson, and he really did marry Cordelia Drexel Biddle. (In an odd turn of events, one of Cordelia’s brothers married Angier’s sister Mary, who was Mary Duke Biddle Trent Semans’ mother, hence the various arrangements of Biddle/Duke names scattered around campus.)A scene from The Happiest Millionaire. Courtesy Walt Disney Studios.I thus had the strange experience of watching a (highly) fictionalized film based on the Duke family on Duke University’s campus in a dorm room three minutes away from the Biddle Music Building. To make it even weirder, I had visited the Sarah P. Duke Gardens just that afternoon. I hadn’t intended to start my college career with a classic movie about the Duke family, but it could not have been a more perfect choice.After all, I’d been a Duke fan years before I became a student. I was one of those toddlers decked out in Duke gear babbling cheers and flinging pom-poms at what I felt was “my” stadium long before I understood why. My love for old Hollywood goes back just as far; I grew up watching Seven Brides for Seven Brothers and Bringing Up Baby instead of Full House and Saved by the Bell, and have adored classic movies for as long as I can remember.And I’m still utterly enthralled. It’s the glamour, the cleverness, the glorious style, and the subtlety (often due to a production code that kept things “clean”). It’s the virtuosic dancing, the rapid-fire dialogue, the amazing almost-but-not-quite British accents, the gorgeous costumes intended to astound, and that red lipstick that somehow never smudges. And it’s the stars, those idols of a nostalgic glamour preserved on glossy strips of celluloid. I love it all: the dreamlike musicals, timeless dramas, unsettling noirs, topsy-turvy screwballs, and tear-jerking melodramas – and how each one, whether it’s included in the canon or not, holds its own secrets and its own seedy and marvelous history.Sometimes films from the Golden Age can seem like slower, tamer, even painfully old-fashioned versions of today’s movies. But classic film is an art form with its own conventions, techniques, and aesthetics. The films are deceptively dense; each frame is packed with layer upon layer of choices, innovations, deliberate decisions, and miraculous mistakes that contribute to the fantastic shadows flashing by at 24 frames per second.But if the art of the films doesn’t grab you, the history might. Just like any artifact of a past age, these films are veritable time capsules inadvertently exposed to light. Old movies reproduce a certain moment in time, often without meaning to, though of course the “reality” they present is usually more beautiful, simpler, and far less chaotic than the real world has ever been.Courtesy Walt Disney Studios.It’s a cliché to bemoan “they don’t make ’em the way they used to!” but it’s entirely true. Hollywood functioned very differently then: The studios owned most of the theaters, almost everything was filmed on enormous backlots, and everyone, from the biggest stars to the carpenters and electricians, were under contract to a particular studio. The “dream factories” churned out movies from the teens to the fifties, and only began to crumble after the Supreme Court declared the massive studios in violation of anti-trust laws in 1948. It was this unbridled power that made classic Hollywood so extraordinary.Take Esther Williams. She was a national champion swimmer who was a favorite for the Olympics, but her life took an improbable turn when the 1940 Games were cancelled. MGM scouts were looking for an answer to Fox’s ice-skating sensation Sonja Henie, and decided a shapely swimmer would be just the thing. Williams was offered a contract (most actors had seven-year contracts with the studios) and MGM poured money into creating the “swimming musical,” building a massive pool complex inside a 32,000-square-foot soundstage, and turning a pretty nineteen-year-old into a glamorous movie star who captivated millions of moviegoers. For almost ten years, Williams topped the box office with her bright, sparkling movies featuring massive water extravaganzas that inspired the modern sport of synchronized swimming. The story of MGM’s mermaid verges on the absurd, but it could only have happened in the studio era during Hollywood’s Golden Age.Fortunately, these movies are undergoing something of a renaissance today. The DVD market, Turner Classic Movies, and companies like Netflix and ClassicFlix have made classic films available again. And theaters like Raleigh’s The Colony and The Cinema, Inc. and Durham’s Carolina Theatre turn screenings into events and recapture the magic of seeing these movies in their rightful place.As for me, I will always remember watching The Happiest Millionaire in my dorm room at Duke. I think of it every time I encounter the names Angier Duke or Biddle, and I smile at that weird, magical moment when Duke and classic Hollywood collided.
Nicole Wilder/Bravoby Mimi MontgomeryAfter serving as executive chef at The Umstead’s Herons restaurant, Scott Crawford opened Standard Foods last fall with business partner John Holmes. The space is a hybrid restaurant, grocery, and butcher shop, featuring a variety of ingredients and goods from local purveyors and growers. Crawford places an emphasis on clean simplicity when it comes to his menu, incorporating healthy ingredients into Southern-inspired cuisine.Now the three-time James Beard award semifinalist’s creations will reach a much wider audience: Crawford will be a contestant on the new Bravo culinary competition series Recipe for Deception, which premiered last month. The show pits four chefs against one other in three elimination rounds where each is challenged to create a dish showcasing one main ingredient. The catch? The chefs have no idea what that main ingredient is. Each competitor is allowed to ask another three yes-or-no questions to determine the secret addition, but two of the answers will be truthful and one a lie.It’s a culinary twist on the old Two Truths and a Lie game, and Crawford will appear on the February 11 episode. Following the broadcast, he’ll offer the mystery dish he created on the show at Standard Foods throughout the month. Of course, since he’s bringing his creation home to Raleigh, he’ll put his own local spin on it: Ingredients will be sourced from North Carolina and most will be available in the grocery section of his business. No lie.Catch Crawford on Bravo’s Recipe for Deception February 11 at 10 p.m. Visit Standard Foods at 205 E. Franklin St.; standard-foods.com
Jillian Clarkby Mimi MontgomeryAs the city of Raleigh grows ever-faster, so does its number of visitors. One thing that hasn’t kept pace is the number of hotel rooms. A recent report commissioned by the Convention and Visitors Bureau, the Raleigh Chamber of Commerce, and the Downtown Raleigh Alliance says that the city needs more rooms to keep pace with demand.The new Aloft Raleigh, which opened this past October, is one of five new hotels expected to open by 2018. Geared towards the hyper-connected global traveler, the Starwoods Hotels-owned Aloft is a testament to Raleigh’s growing clout as a business hub. On Hillsborough Street across from the N.C. State bell tower, a healthy walk from downtown, the stylish 135-room hotel features tech-forward innovation and art, and holds events targeted to the young entrepreneurial crowd.The spirit of Raleigh is alive in two Thomas Sayre works – one an outdoor sculpture (shown above), the other an indoor installation incorporating clay from the North Carolina piedmont. The hotel’s collection also features pieces from nearby Roundabout Art Collective. The local food scene is represented by homegrown favorites like Gonza Tacos y Tequila and Jubala coffee shop; Videri chocolate is also a perk for guests. The WXYZ bar, which features an open-balcony view of Hillsborough Street and the downtown skyline, showcases Raleigh tunes with the hotel’s Live at Aloft Hotels music series. Guests who want to check the city out can borrow bikes.Aloft is betting big on the growth of the Triangle. A branch opened in Chapel Hill a few years ago, another in downtown Durham last fall, and a third is set to open near Brier Creek in the spring.2100 Hillsborough St.; starwoodhotels.com/alofthotels
“To share the joy of music with others is a privilege.” –Sylvia Wiggins, director, Helping Hand Mission marching band (far left, front row)by Jessie Ammonsphotograph by Travis LongSylvia Wiggins has always had a penchant for band music. But as a high school student, she couldn’t muster the courage to audition for her school’s mostly-Caucasian ensemble. “I told myself that one day I’d have a band where everyone can come,” says the founder and executive director of Helping Hand Mission, a nonprofit that provides food, clothing, furniture, shelter – and band music – to Southeast Raleigh.Wiggins was working on an anti-gang initiative for Helping Hand when she remembered her adolescent hope and founded the mission’s marching band for 7- to 17-year-olds. “We have black kids, Hispanic kids, white kids. We want everyone to feel comfortable.”The marching band fluctuates between 50 and 70 members, and teens must complete community service projects to join. No musical experience is required, and the band relies on donated instruments. “We practice a few times a week, but the kids hang out a lot, too. We have a lot of activities that … we don’t put under the title ‘practice,’ but are band-related. They dance all the time.” That dancing inspires the marching: Often, members compose and freestyle original music inspired by what’s on the radio.Wiggins leads the troupe, despite an already-packed schedule running the nonprofit’s headquarters and shelter on Rock Quarry Road. For her, it’s a non-negotiable commitment. “Teens are my favorite kind of kid,” she says. “That’s the age when a lot of people give up on them, but I know what they can be. I like to see the outcome, when they realize their potential. Band is a safe place and a structured place.” Visit helpinghandmission.org to learn more about the marching band and to donate instruments.
Emerson, a tiger, came from a roadside zoo in Missouri. It was shut down due to safety concerns after a volunteer went to the hospital with a bite wound supposedly from a dog, but actually from one of the zoo’s tigers.text and photographs by Nick PironioTucked away just off NC-64, between the town of Pittsboro and Jordan Lake, lies Carolina Tiger Rescue. To visit this 55-acre refuge for rescued lions, tigers, and other wildcats is to enter a surreal foreign land. More than 40 neglected or abused wildcats have found safety in this vast sanctuary, just down the road from the farms and churches that dot the otherwise-familiar North Carolina landscape. With their growls and roars, territory-marking scents, and majestic beauty, the place sounds, smells, and looks like a world apart.The entrance to Carolina Tiger Rescue.Carolina Tiger Rescue was founded in the 1970s as a research institute by UNC geneticist Dr. Michael Bleyman. His task was to breed keystone species (those that perform a crucial role in the life of a particular ecosystem) as a way to protect the population of those animals until their home habitats could support them once more. As time went on, the organization decided the need to breed wildcats was less important than the need to rescue abused and neglected wildcats.Roman, a lion, prowls about. He came to North Carolina from a rescue in Ohio that shut down due to lack of funding.How does a lion or tiger wind up in North Carolina and need rescuing to begin with? There’s an online market for these big cats, which are bred (often excessively inbred, resulting in deformities) to be sold for a profit. It’s made worse by the lack of state regulation on the ownership of a non-native species. Some counties in the state including Wake, Durham, Orange, and Chatham counties have made it illegal to possess these animals, but it’s usually only when these animals happen to be found – often in the wake of their owners’ brush with another law – that they are taken into custody.A note that was attached to Elvis, a serval, or medium-sized cat, when his owners left him at the rescue. The note documented his care, which Carolina Tiger Rescue realized was inaccurate based on the animal’s actual health.As I photographed the wildcats, many hobbled around in pain from arthritis caused by years of abuse. Some were declawed by their owners, or locked in small cages for long periods of time. Once-mighty creatures, they now live out their days riddled with aches and pains. Spending time with them – which I did several times over the course of the last few months – was both a humbling and disheartening experience. It’s no wonder the rescue, which employs 17 people, has a list of approximately 160 volunteers to help them care for these beautiful animals.Fenimore, a tiger, gives a big yawn. He was rescued from the same Missouri zoo that Emerson came from.But it’s not all sadness there. Many of the wildcats are still playful and energetic, despite their circumstances. Some even played a game of “hide-and-seek” with me as I tried to photograph them through the mesh of their spacious cages. Once, when I turned my back, a tiger named Madonna playfully pounced on the cage wall behind me.Madonna, a tiger, eyes the photographer from behind a tree.Still, they’re dangerous, and never in direct contact with any humans. And only half of the wildcats at the rescue are on view for what the organization calls “The Show,” which is what visitors see when they take a tour of the refuge. Those with anxiety or aggressive tendencies are kept out of view, and spend their time alone being cared for by the staff.After emerging from her hiding spot, Madonna reclines in her rescue’s habitat.Safety cages are scattered throughout the complex, and are used to protect people in emergency situations or any time a wildcat is moved.Elvis, a serval, in a contemplative pose.Tarzan, a lion, reigned over the first floor of a hotel in Mexico until he was one year old. When he became too large for that task, he was locked in a cage in front of the hotel that was 3-feet tall, 3-feet wide, and 6-feet long. He spent two years there, and now cannot stand up or fully extend his legs.Tarzan curls up for a late-afternoon snooze.Star, a cougar, gazes through a fence. Star came from a roadside zoo in Mississippi that was shut down due to numerous violations of animal welfare and human safety.Aria, a tiger, was a privately-owned pet in South Carolina for 10 years. She became sick, and her owner’s neighbors called authorities, who contacted the rescue. She was found to have a pancreatic deficiency that required a specifc diet. The family eventually gave her to the rescue so she could receive better care.The memorial gardens at the resuce, where each brick bears the name of a wildcat that has died.A well-loved toy.
photos courtesy Relay Foods and John Robinsonby Mimi MontgomerySummer vacation may mean time off for the little ones; but for busy parents, that’s a little harder to come by. Between packing for summer camp, carting kids off to the pool, and arranging trips to the beach, it’s nice to have a hand with the shopping. Relay Foods is an online grocery delivery service that provides fresh, organic, nutritious food to customers in Virginia, Washington, D.C., Baltimore, and the Triangle.Users sign up online for free and browse through an endless list of groceries covering everything from produce, coffee and tea, and frozen foods to meats and seafood, paper towels, and dish soap. Relay will deliver straight to your doorstep in sealed bins and coolers – $12 for a one-time delivery, $19-a-month for an unlimited home delivery subscription – or you can select a local pick-up location and swing by to get them yourself.Relay sources local goods for each area it services, partnering with nearby businesses and farmers to make sure that it’s benefitting both its customers and the local community. Some favorite Triangle brands you can now get dropped off on your front step include Chapel Hill Creamery, Maple View Farm, Eastern Carolina Organics, Larry’s Coffee, Whisked, and even White Whale Bold Mixers.If you have picky eaters, food allergies, or just need menu inspiration, Relay Foods can help you there, too. It has online sections devoted solely to gluten-free, paleo, vegan, and dairy-free snacks and products, so you don’t have to scrounge around to find tasty food that fits your lifestyle. You can also shop by recipe – the website offers a catalogue of recipes for inventive dishes, and you can have every ingredient sent to you – making them not unlike a local Blue Apron. You can even upload recipes you find on other websites and Relay Foods will help you source the ingredients.Is it dinner time yet?relayfoods.com
by Liza Robertsphotographs by Nick PironioWilliam Ivey Long, the prolific, multiple-Tony Award-winning costume designer, has drama – and Raleigh – in his blood, and in every single one of his earliest memories.“I grew up in the stage left dressing room,” Long says as he gestures around a tiny, WPA-built stone structure that still stands at Raleigh Little Theatre’s outdoor amphitheater. He’s not speaking metaphorically: The dressing room is where he lived until age 3 with his father, a technical director, and mother, an actress who wore many play-making hats. “People would change clothes in our house, and put on costumes … You would open the door, and you’d be on the stage.”Doors – and stages – have a way of opening up for Long. On Broadway and London’s West End, he has showcased his talent for almost 40 years. He has 15 Tony nominations and six Tony Awards, and has designed costumes for more than 70 Broadway productions. He has received the Art Institute of Chicago’s “Legend of Fashion” award and was inducted into the American Theater Hall of Fame. He has the Order of the Long Leaf Pine, the City of Raleigh Medal of Arts Award, and the North Carolina Award in Fine Arts. Costumes for the likes of the Metropolitan Opera, Mick Jagger, the New York City Ballet, and Siegfried and Roy round out his resume.William Ivey Long fits Robin Givens for Roxie Hart; photo courtesy of Alessandra PetlinVanessa Redgrave wears a Long-designed costume as Queen Elizabeth I in The Lost Colony; photo courtesy of Aaron TrotmanBut despite his starry spot in the Broadway pantheon, manifested by his current role as head of the American Theatre Wing (the organization that runs the Tony Awards), Long remains resolutely North Carolinian, a natty Southern gentleman with gracious manners, good humor, and stories to tell. He’s as likely to digress about his large extended family (and their furniture) as he is to talk about his life of glamour. And he has remained loyal to the theaters here that launched him: This summer will be his 45th working on The Lost Colony play in Manteo.Growing up in the South has informed “every one of my sensibilities,” Long says. “How I was raised, telling stories, being in North Carolina, which is, I think, a very diverse culture … the abundance of educated, cultivated people … Revering the word, growing up in a family where the play is the thing …”Long’s words meander happily as he recalls his early influences: old Western movies; the Raleigh Rose Garden; the Long ancestors who were members of the first class at UNC-Chapel Hill in 1795; the actor Andy Griffith; Long’s great-grandmother’s sister; The Lost Colony costume designer Irene Smart Rains; the playwright Wendy Wasserstein; his parents.“I’ve always been interested in the making of theater, because of being right here.” He takes in the dressing room with a glance. “The business of our family was always play-making.”Destined, not designedConsidered by critics a nimble designer whose work marries storytelling and glamour – together with an unmistakably sexy jolt that “hovers between taste and travesty,” as famed New York magazine theater critic John Simon put it – Long is also considered technically ingenious, with a specialty in “transformations,” costumes that seamlessly turn a scullery maid into a princess, for instance, or a greasy car mechanic into a rock star.The Frogs, Dress Rehearsal, Lincoln Center Theater, June 19, 2004, Credit Photo ©Paul Kolnik, NYC 212.362.7778Costumes and sketches for The FrogsLong’s crimson feather ballgown that morphed into a living Christmas tree in La Cage aux Folles; @CarolRosegg“I love transformations,” he says. “I love transforming people.” At the same time, he says, his main goal is always to help tell the story. “I like to think that I’m an honest and true designer who supports the material.” Michael Feingold, theater critic for the Village Voice, agrees. Long deploys “a kind of secret, supplemental playwriting,” he wrote, “done not to compete with the script being performed, but to enhance it … William is one of the master dramatists of our day.”Long’s ethereal, transformational costumes for Cinderella, which won him the 2013 Tony; his over-the-top looks for Hairspray, which won in 2003; and his canny creations in last year’s On the Twentieth Century, which nabbed a nomination, showcase a portion of his talent.“His costumes look more than designed – they seem destined,” says critic Simon.Destined, not designed might be an apt description of Long’s career as well. He never set out to design costumes, he says; never gave them much thought at all. His interests were more varied. He took himself to William & Mary for college, for instance, because he loved the campus architecture and wanted to study art history. Then he took himself to Yale School of Drama because he wanted to be a set designer. He moved himself to the Chelsea Hotel in New York because he wanted to work for the couturier Charles James, who lived there. (It took Long six months to get James’s attention; in the meantime, neighbors like Andy Warhol “superstar” Viva and a punk-rocker called “Neon Leon” kept things interesting.) Long only became a Broadway costume designer, he says, after a friend from Yale was hired as the set designer for The Inspector General in 1978 and recommended Long to do the costumes. One production led to another, and “it slipped up on me,” he says. “It wasn’t conscious. It was so omnipresent that it became a self-fulfilling prophecy.” Long had become a costume designer.That was 38 years ago. “I am much more focused now and fierce – fearsome – in my approach than I was then,” he says. “I was young and naïve.” His first Tony, for Nine, focused his mind and gave him bigger dreams. “It didn’t just overnight change my life, but it did inside.”Of a pieceWherever his profession takes him, Long is never far from home. It’s not only on his itinerary year-round, it’s also readily in his thoughts, forming his frame of reference. Home and theater were and are of a piece.Long works on the set of Grease: Live; David Korins“The front hall of our big house in Rock Hill was always a scene dock,” he recalls. (His father, William Ivey Long Sr., was founder of the theater department, stage director, and professor at Winthrop University in Rock Hill, S.C.) “And the big dining room table, which I finally restored, my grandfather’s dining room table from Baltimore, it was always the cutting table during shows. I think twice in my life, my father did The Heiress. Well, the entire house was emptied on to that stage. It’s set in 1840, so all of the portraits, all of the furniture … routinely, pieces of furniture would go missing and be on stage.”Long as a young man, preparing a prop; courtesy William Ivey LongTrim in the navy Brooks Brothers suit and polished loafers that serve as his uniform, curly hair askew, it’s not hard to picture Long as a younger man; his bearing and energy alone take decades off of his almost-69 years. “If you don’t look in a mirror,” he says, “you don’t know how old you are. I stand in front of mirrors all the day long for the fitting process, and I do not look.”He always wears a rep tie, he says, and almost always one with a blue stripe. For someone in his line of work, this conservative lack of ostentation is striking. It suits him to be as polite in his clothes as he is in his manner, even as it adds an extra wink to his conspiratorial smiles.The stage left dressing room at Raleigh Little Theatre where Long lived with his parents, Mary Wood Long and William Ivey LongVanity Fair zeroed in on this ineffably put-together quality last year when it put him on its international best-dressed list. Alongside the likes of Prince Harry in a top hat and Eddie Redmayne in Gucci plaid, Long appeared in his Brooks Brothers suit and shoes, accessorized only with a grin and glinting eyeglasses. But he’s nonplussed by all of that; doesn’t bring it up unless asked, and then changes the subject.Long with his parents, Mary Wood Long and William Ivey Long; courtesy William Ivey LongAsk him what does excite him most these days, and he might tip over his chair with glee. “I’m charting new courses,” he says, with several projects in the works, including costumes for the new weekly television variety show by Lorne Michaels, Maya & Marty. It’s not Long’s first foray into live TV, for which his background in theater is well-suited. He also designed costumes for Grease: Live, as well as the TV version of The Rocky Horror Picture Show for the Fox network.“All three things are different. Now I can say I design for stage, screen, and television.”New things excite him most, he says, and always have. “When I was in the 8th grade,” he recalls, “in Mrs. White’s biology class, she asked: ‘Why does a bug go from one side of the leaf to the other? It’s in search of the heat.’ And I knew then and there in the 8th grade that that was my path in life. I was going to be in search of the heat. That’s how I choose my course. That’s how I choose my friends. That’s how I do everything. I’m a bug on a leaf in search of the heat.”Early yearsJust like that 8th grade revelation, much of what fires Long’s imagination got to him early. Summers spent in Manteo, working with his family to help put on The Lost Colony, where his father was technical director, were an important early experience, not only for the time he had on stage beginning at 8 in the role of a child colonist, or for his time soaking up the work of the costume shop (the Elizabethan ruff he made for his dog out of a scrap of pillowcase when he was 4 is hard to forget), but for the late-night movies he’d watch once the family got home from the evening Lost Colony performance at around 11 p.m.William Ivey Long with his hero, former N.C. Governor Jim Hunt“The black-and-white late movies on the Norfolk station were Hollywood musicals, Hollywood Greta Garbo films. That began my fascination with glamour … and influenced my sense of shape, and style, and proportion.”Long and Raleigh mayor Nancy McFarlane take a selfie in front of the plaque commemorating his childhood years at Raleigh Little TheatreDuring the winter, he’d watch Picture for a Sunday Afternoon: “Our family did not watch football.” He credits his great-uncle in Waynesville for taking him to the movies on Saturdays, where they saw Gene Autry and Tom Mix Westerns. “It was high style in the Old West. And it’s a next step to Gary Cooper in Morocco. The most glamorous, handsome, stylish American in the history of America. Gary Cooper and Marlene Dietrich in Morocco: If you want to mess up a child, have them watch that late at night.”And give him a homeplace out of a fairy tale. Long leans almost entirely off of his chair as he describes his first three years living in the dressing room where he sits. The one-room building is almost impossible to imagine as a home – but in Long’s memory, it’s fully that. “There were two mahogany Chippendale chairs and a tilt-top table,” he says, “even in this little manger.” Red draperies: “brocade, or velvet. I remember red. I don’t remember bathing, or going to the bathroom, or cooking, or eating … but I remember playing on that stage.”He also remembers playing in the Raleigh Rose Garden (“I thought everyone had one”); remembers “sitting on a bench in the dark” and watching a “strange man pulling my mother’s hair.” Turns out she was onstage just outside their tiny home, acting in Death of a Salesman.At the dedication, guests enjoy a cool refuge inside the diminutive cottage.On that same stage on a sultry evening in mid-May, dozens of notable Raleighites gathered to honor Long. Raleigh Mayor Nancy McFarlane introduced him as “one of our prominent native sons” and unveiled a plaque on the house to commemorate his childhood years in the place.“My oh my, not everybody gets to see their tombstone!” Long exclaimed. Governor Jim Hunt (“my hero,” Long calls him) and his wife Carolyn came to pay tribute, as did former News & Observer publisher Frank Daniels Jr. and his wife Julia, along with dozens of other art patrons and theater lovers. Long greeted them all with kisses and hugs, taking in their congratulations with humble humor.“The lesson to take home for your children and grandchildren,” he told the crowd, “is be careful where you grow up!”
The pool at SkyHouse sits 23 stories above street level, making it the tallest all-residential building in Raleigh.by Jesma Reynoldsphotographs by Tim LytvinenkoIt’s a vertical world we live in, and Raleigh is going up. Young professionals and empty nesters are migrating downtown to live, work, and play, fueling demand for stylish residential projects that are reshaping our city skyline. Luxury projects like The Residences at Quorum, West at North, and SkyHouse offer owners the opportunity to live above it all in high-altitude dwellings with access to private rooftop pools and gardens. Other stalwarts like City Club Raleigh and the columnar Holiday Inn offer communal gathering spots for taking in the ever-changing views. Photographer Tim Lytvinenko takes us into this world of rarefied spaces, providing a bird’s-eye perspective of our city. Citrix employees enjoy a game of miniature golf on the rooftop course that can also be used for bocce, one of the perks offered by the tech company.Another Citrix bonus is the yoga studio, also on the roof, with aerial views of downtown.Tall glass buildings mean lots of glass to clean. Here, a window washer scales the face of the PNC building, the tallest skyscaper in Raleigh at 538 feet.Through the glass bubble chandelier of City Club Raleigh, a view looking east.A reflection of the chandelier in the Sky Ballroom of the City Club appears to hover over the city.The Hudson, converted from the old Belk deparment store on Fayetteville Street, has a roof terrace for its residents.The Raleigh skyline lights up as evening falls on the city.Spectators, seen reflected in glass, gather on the roof of SkyHouse to view Fourth of July fireworks.A Holiday Inn patron enjoys views from the 19th-floor bar and restaurant at the top of the iconic rotunda.At West at North condominiums on Glenwood South, residents take in a sunset by the rooftop pool.Humid summer nights bring evening electric storms to the city.A crowd gathers for happy hour beneath the 11-foot chandelier in the Sky Ballroom at City Club Raleigh. Located on the 30th floor of the Wells Fargo Capitol Center, the former Cardinal Club merged with the Capital City Club in 2014 and underwent a $3 million renovation.Downtown seen from the green-roof terrace at The Residences at Quorum Center. The 15-story building was completed in 2006 as one of the first mixed-use (residential and commercial) projects downtown.A young resident looks for fireworks on Fourth of July from the SkyHouse rooftop.Reflections create an illusory effect on the cityscape.Photographer Tim Lytvinenko captures his reflection from a balcony at SkyHouse.Downtown appears on the horizon as seen from the top of the CapTrust building at North Hills.
Nick Donaldsonby Liza RobertsHundreds of art and garden lovers came from all over the Triangle to Frances Alvarino Norwood’s lush North Raleigh gardens for her 21st and final Larkspur Party June 4 and 5. Garden lovers will still have a chance to see her flowery showplace, she says, on Aug. 7 and Sept. 4, but without the art that has drawn huge crowds to her residential neighborhood.The Larkspur party was created by Alvarino Norwoood to showcase the work of fellow artists to the public. It began as a free, three-artist show in her front yard in 1995; this year featured 38 artists across her expanded three acres of flower and vegetable beds. The blooming sanctuary is itself a work of art, and a reflection of her other profession: gardener. “At some point,” she says, “we had to decide if we wanted more artists or more garden beds, and the garden beds won.” Still, she says, it’s been a good run, “an opportunity to share my mother’s love of gardening, and has allowed me to get to know some incredible artists and meet many other enthusiast gardeners.” Longtime fans thronged for one last hurrah. Tucked between Alvarino Norwood’s massive hydrangea, delicate poppies, and airy Queen Anne’s Lace were paintings, pots, wind chimes, and sculptures. Botanical illustrations by Preston Montague and silver jewelry by Dan Dye were standouts. In the larkspur itself stood Alvarino Norwood’s own elegant, elongated figurative ceramic sculptures, which sold out within the first hour. The Alvarino Norwood family will open their garden to the public without charge from 10 a.m. to 2 p.m. Aug. 7 and Sept. 24.
by Tina Haver Currinphotographs by Keith IsaacsThe zigzag of Capital Boulevard as it wends its way into downtown is often crowded, sometimes bumpy, and never particularly pleasant. But if you exit to the right just as Capital becomes Dawson Street, you enter a different world. There, behind brick walls and large wooden gates, is a retreat of swaying palm trees, crystal blue reflecting waters, and tufts of sweet jasmine curling their way up toward a terra cotta-tiled roof. It’s completely removed from the hustle and bustle of Raleigh’s main artery, and everyone is invited. But this oasis didn’t appear by magic. It’s the result of the vision, patience, and significant investment of one Raleigh man.“The whole design concept is that you are in somebody’s house,” says Samad Hachby, the owner of the pools and palms. He operates his Moroccan-influenced restaurant, Babylon, in the ground floor of the historic mill that anchors the space. “If you go to a house in Morocco, you have an interior courtyard for maximum light. You have water, you have food, you have booze, and it’s beautiful. But this place was a dump with no parking lot.”The courtyard has all the elements of a house in Morocco according to owner Samad Hachby – water, food, and drink – and anchors the historic Melrose Knitting Mill.Hachby, 44, left Casablanca for a stint aboard a cruise ship before relocating to North Carolina to attend N.C. State in 1998. He first noticed the 116-year-old brick Melrose Knitting Mill in 2004, before he opened Mosaic, a wine lounge perched on the corner of Jones Street and Glenwood Avenue. The knitting mill’s landlord, Abdul G. Zalal – or, as his friends call him, A.G. – was holding the building for a prospective tenant who wanted to turn it into a gym.“I kept walking by, and nothing was happening,” Hachby says. “So, one day (in 2009), I walked in and I said, ‘A.G., I am going to do this project.’ He said ‘OK,’ and we shook hands.”The mill had sat empty for years, and Hachby spent the next two and a half years making it restaurant-ready. That involved significant interior renovations, including replacing ancient wiring and plumbing. Hachby also made several trips to Casablanca to find the fittings he needed to create the place he envisioned.“I wanted a classic palatial ceiling that you’d find in Europe, southern Spain, or Morocco,” Hachby says, craning his neck to admire the handiwork. His dark hair and the faint beard are the same color as the espresso he sips to ward off an afternoon slump.“I went to Casablanca to find artisans who do work in Malaysia and Dubai. Forty men worked for two months on the tiles. They sent each piece separately – without instructions, of course.”Owner Samad Hachby.Signature dishes reflect Babylon’s unique atmosphere.By the summer of 2011 he was ready to open Babylon’s doors. It has since become a popular and cozy cavern for dining on braised lamb tagine or crispy margherita pizza. For four years, Hachby himself was at the helm of the kitchen. His goal was to create a menu to reflect the restaurant’s unique atmosphere, with Moroccan classics like hearty harira soup made from lentils and chickpeas, couscous topped with meats and vegetables, and tasting plates overflowing with hummus, eggplant, and marinated olives. Last year, Chef Jean Paul Fontaine stepped in as executive chef. He developed the menu for Babylon’s new outdoor kitchen and a satellite kitchen in a recently renovated upstairs event space.With plush, high-backed seating, a well-appointed bar and roughly hewn exposed beams, Babylon’s main room provides a rustic retreat. An adjacent room often used for parties features high ceilings with classic Moorish tiles and chandeliers that sparkle in the midday sunlight, while in a tucked-away library room, beams from the original factory hold cookbooks and magazines. Four hundred square feet of beige travertine marble cover the floors, blending with the brick walls.Hachby and his team had to lay each piece on the floor, like a jigsaw puzzle, and then mount the tiles on the ceiling one at a time from the center, radiating out. Hachby points to sections of brick where his crew – or previous crews before him – began construction, only to realize that continuing would compromise the structure or historical integrity of the mill. The building’s walls tell a story of half-starts in holes and patches.The interior of Babylon is exotic and dramatic.One floor above the tiled ceiling, the restoration of a massive events space, which hosted the Raleigh Food and Wine Festival in May, is finally complete. Hachby installed a second kitchen with direct access to the space, so his staff doesn’t have to clamber up and down the stairs from Babylon with piles of dirty dishes. Gorgeous rounded windows bathe exposed brick and wood in warm, natural light. Adjacent to the events space, a new tenant in Furbish Studio brings even more style to the historic mill.Textile roots Though the Melrose is now one of Raleigh’s loveliest treasures, it has been a long time in the making. The groundbreaking for the textile mill occurred in June of 1900, and the building was completed by October. The mill officially began manufacturing men’s wool and cotton underwear on January 28, 1901. Three years later, 85 employees – many of whom lived in small wooden homes around the property – were turning out 1,800 pieces of underwear a day.That same year, the Pullen Park Pool – the city’s first – brought an increased interest in swimming to the community, so bathing suits were added to the Melrose repertoire. The City of Raleigh ordered five dozen suits from the factory, which patrons could rent for five cents per visit.But the operations of the Melrose were short-lived. The knitting mill shut its doors in 1930, one year after the stock market crash that halted nearly all construction and commerce in downtown Raleigh. By the 1960s, two roofing companies were based at the property. In 1969, Abdul Zalal, a young recent immigrant from Afghanistan, came looking for a job.“I arrived and I asked, where is the office?” Zalal says today, gesturing to where one of Babylon’s massive wooden gates now hangs. With white hair and a white mustache, he exudes the same kind of rugged stateliness as the historic building he would later purchase. “It was a roofing company with 35 employees, but I went to the wrong one,” he recalls. “They still hired me, and I worked for $3 an hour.”A decade later, on June 8, 1979, he bought the crumbling Melrose Knitting Mill for $60,000. It was a good investment – the building is now worth about $1.7 million.Zalal’s first move was unsurprising: He installed a new roof to save the historic mill from further deterioration, then boarded up the windows. For years, it stood mostly vacant save for a collection of auto parts – you can still see the faint paint outline of the “Motorparts Warehouse” sign on the front of the building – and the parking lot was a pocked landscape.But in 2010, with the help and vision of Hachby, revitalization of the Melrose began in earnest. Zalal removed the old buildings that obscured the front of the mill, andinstalled 200 truckloads of dirt to level and pour the parking surface. With tenants Babylon and the housewares store Furbish, plus the second-story events space now complete, the Melrose Knitting Mill now buzzes with shoppers, diners, drinkers, and brides. “For 68 years, this building was vacant except for A.G.’s workshop and a stash for roofing cranes,” Hachby says, tracing his fingers along one of the mill’s solid wooden beams. “Now, there’s so much going on. It’s not vanilla. The building tells its story.”For Hachby, imbuing the historic mill with new vitality is a source of pride, and he keeps a collection of photographs from the State Archives close at hand. There are black and white snapshots of downtown Raleigh from the 1960s, the cobble of steel roofers’ buildings obscuring the beautiful brick facade, and even a photo from the early 1900s where the street is covered in mule-drawn carriages, the Melrose towering beyond a paving company that’s little more than a wooden construct with several smoking chimneys.With the renovations complete, Hachby is now turning his attention to travel and writing a cookbook centered on Moroccan wines. Even so, he’s committed to constantly improving his restaurant and the historic space.“You have to do things beautiful. It costs a lot of money, and a lot of people don’t want to invest in their businesses,” Hachby says. “But this is what drives the name Babylon. You had this crazy, macabre looking place, with this beautiful building rising up. Like Babel. It’s Babylon.”309 N. Dawson St.; babylonraleigh.comShekshoukaSamad’s favorite recipe: Shekshouka, a classic egg dish with spicy tomatoes and peppers. This is a one-skillet recipe of eggs baked in a tomato-red pepper sauce and onions spiced with cumin, paprika, and cayenne. Make the sauce first – it comes together fairly quickly on top of the stove – then gently crack each of the eggs into the pan, nestling them into the sauce. The pan is moved into the oven to finish.3 tablespoons extra-virgin olive oil1 large onion, halved and thinly sliced1 large red bell pepper, seeded and thinly sliced3 garlic cloves, thinly sliced1 teaspoon ground cumin1 teaspoon sweet paprika⅛ teaspoon cayenne, or to taste2 pints San Marzano tomatoes withjuices, coarsely chopped¾ teaspoon salt (to taste)¼ teaspoon black pepper (to taste)6 large organic eggsChopped cilantro, for servingHarissa for servingHeat oven to 375 degrees.Heat oil in a large skillet or tagine over medium-low heat. Add onion and bell pepper. Cook gently until very soft, about 20 minutes. Add garlic and cook until tender, 1 to 2 minutes; stir in cumin, paprika, and cayenne, and cook 1 minute. Pour in tomatoes and season with the salt and the pepper; simmer until tomatoes have reduced.Gently crack eggs into skillet over tomatoes. Season with salt and pepper. Transfer skillet or the tagine to oven and bake until eggs are just set, 7 to 10 minutes. Sprinkle with cilantro and serve with harissa.Serves 4. Total time: 1 hour.Lamb shank tagine6 small frenched lamb shanks (5 to 6 pounds total)3 cups chopped yellow onions (2 largeonions)3 garlic cloves, thinly sliced1 tablespoon grated fresh ginger1 ½ teaspoons chili powder1 ½ teaspoons ground turmeric1 ½ teaspoons ground cumin½ teaspoon ground cardamom1 (4-inch) cinnamon stick1 large can diced San Marzano tomatoes2 cups unsalted chicken stockA pinch of saffronPreheat the oven to 300 degrees. Heat 2 tablespoons of olive oil in a very large (12-to-13-inch) pot or tagine.Preseason the lamb shanks, then add to the pot and cook over medium heat for 5 minutes on each side. Add the onions and cook over medium-low heat until translucent and almost caramelized. Add the garlic, ginger, chili powder, turmeric, cumin, cardamom, and cinnamon so that the spices release their oils and merge with the onions. Add the tomatoes and their liquid. They will deglaze any stock you have in the pot. Put back the lamb shanks in the pot and cover with the stock. Cook for 90 minutes. Remove from the heat and let rest.Serve over couscous, risotto, or seasonal roasted potatoes.Serves 6.
courtesy La Farm BakeryWith five bakeries in the downtown area alone, most of them less than a handful of years old, Raleigh has quickly become a destination for the gourmet baked good lover. Come holiday time, there’s something for everyone. An assortment of treats from Boulted Bread slivered into bite-sized portions would make a perfect cocktail pairing … a weekend morning stroll through the State Farmers Market would be sweeter with one of Annelore’s German Bakery’s spicy gingerbread cookies … a sticky toffee pudding-flavored macaron at Lucettegrace could turn an afternoon coffee break into a mini celebration … a crusty loaf of bread from any of these spots would make a perfect complement to a warm winter stew.Besides stopping in and stocking up, most local bakehouses have seasonal specials, too.Here’s what to plan ahead for. Boulted Bread provides rustic, hearty favorites. Last year’s spiced date levain was a hit and will be back; and there’s also old-fashioned apple and cranberry pies; crusty-sweet-croissant-y kouign-amann; and soft gingerbread. Order online or in-store between Dec. 2 and Dec. 18; 614 W. South St.; boultedbread.com Dewey’s Bakery is a seasonal taste of history. Many North Carolinians know the Winston-Salem outpost as the source of annual tins of Moravian sugar cookies; each year lately, the store opens a pop-up shop in Cameron Village from Thanksgiving to Christmas Eve. Alongside those wafer-thin sugar cookies are boxes of cinnamon-bun-esque Moravian sugar cake, pies and cakes, and Lovefeast buns, sweet yeast rolls with nutmeg, orange, and lemon. 421 Daniels St.; deweys.com La Farm Bakery and its breads are featured in this month’s “Favorite Things” issue of O: The Oprah Magazine. Among their celebrated goods are dark chocolate babka, the traditional Jewish dessert; stollen German holiday bread; linzer-inspired challah: challah bread filled with raspberries and cream; and fig-polenta-walnut bread. Just in time for winter orders, the popular Cary spot opens its second production bakery downtown on West Chatham Street this month, and a new cafe adjacent to it is under construction to open come spring. Order by Dec. 21; 4248 N.W. Cary Parkway; lafarmbakery.com Lucettegrace is for the elegant dessert lover. This year, the pastry shop is increasing its in-store packaged treats, including fudge and sweet granolas, for hostess gifts and stocking stuffers. There are also three bûche de noël French Christmas cake flavors to choose from and pre-order: Red velvet rolled with cream cheese mousse with raspberry jam; chocolate cake rolled in pecan pie mousse, set in chocolate mousse, and resting on chocolate brownie cake; and gingerbread cake rolled with lemon cream, set in chai mousse, and resting on more gingerbread. Order to pick up on Dec. 23 and 24; 235 S. Salisbury St.; lucettegrace.com Night Kitchen is where to find unexpected treats. Last year’s order-ahead, pre-wrapped assortment of homemade holiday cookies was popular and will again be an option; as well as linzertorte, an Austrian spiced nut pastry shell filled with raspberry and red currant jam; and panettone, an Italian celebratory cake studded with dried fruit. Order in-person or by phone by Dec. 20; 984-232-8907; 10 W. Franklin St., Ste. 140; raleighnightkitchen.comYellow Dog Bread offers baked goods with familiar Southern influences. Rosemary, cheddar, and pumpkin seed boule; yeast rolls; pumpkin walnut bread; and other treats are all available throughout the winter. For the holidays, the order-ahead selection includes salted pecan pie, cranberry apple pie, and sweet potato cheesecake. Order in-person or by phone by Dec. 21; 984-232-0291; 219 E. Franklin St.
Sarah YarboroughCo-founder and CEO, Raleigh DenimSarah Yarborough is the co-founder and CEO of Raleigh Denim. She and her husband, Victor Lytvinenko, started making jeans together when she was an undergraduate in 2007, working on her collection for N.C. State College of Design’s Art2Wear show. Today, Raleigh Denim sells jeans and other designs at prestigious stores like Barneys New York in 14 states; and Sarah and Victor are members of the Council of Fashion Designers of America.“Some of the winningest ideas come from not winning,” Yarborough said recently, when asked to reflect on her company’s success. “The struggle or challenge behind the curtain – that is so very different,” she says, from the public’s perception of of what success looks like. It’s in those hidden struggles that breakthroughs emerge.Yarborough grew up in Raleigh and attended Saint Mary’s School before heading to New York City and NYU, where she studied art, English, and philosophy. She returned to Raleigh to continue her studies at N.C. State, where her love of design blossomed.Yarborough remembers well the moment when Barneys New York called to order the jeans she and Lytvinenko had been tinkering with. “I’d been making jeans for Victor to wear around, and for some friends,” she recalls, “and the morning news got wind of it. They did a 60-second segment at 6 a.m.” A Durham shoemaker saw the piece, told a buyer for Barneys about the couple and their work, and the phone rang. The New York store ordered 114 pairs of their jeans, and Raleigh Denim was launched.These days, demand regularly outstrips supply. “We’re beyond capacity,” Yarborough says. “We are about to turn away business. And we’re also looking at supplemental production.”About a year ago, the company’s growth had the couple reconsidering its organization and their individual roles. Now, Yarborough serves officially as CEO, while Lytvinenko focuses more on sales, growth, and brand ambassadorship. “That’s been really wonderful,” Yarborough says. “It makes me feel more invested and really proud of the company that we’re building.”
A Charlotte artist designed and built this hexagonal shaped house with a wrap around deck. The treehouse and the cypress tree it resided in were dismantled, loaded onto a flat-bed trailer and moved to the Corkum’s home in Raleigh as the land it stood on was planned for development.Happiness Among the Treesby Rebecca Guenardphotographs by Juli LeonardPerched out of reach, a treehouse evokes mystery, seclusion, a place apart where a child can dream up an adventure. It’s a castle on the hill, the Shire, an Ewok village. It’s Swiss Family Robinson.Before the ink was dry on the mortgage papers of our North Raleigh home, my family was discussing which tree on our two-acre property would support a treehouse. After six months of planning, drawing, and calculating, my husband looked up from the kitchen table, surrounded by graph paper covered in schematics, and said: “This is going to be a big project.” Everyone went quiet and my son gently pointed out the reality of his undertaking. “You are building a house,” he said. “Up in a tree.”Feeling apprehensive, I set out to find camaraderie with Raleigh’s treehouse people. It, too, was a bigger challenge than I expected. Despite its Oak City label, Raleigh’s building ordinances hinder the construction of treehouses. “Accessory structures” are limited to a certain height and distance from property lines, making treehouses unlikely to qualify, given the standard lot size. Even if you head out to where lots are more spacious, homeowners associations can crush your treehouse dreams.Eventually, I was able to find several examples of what is possible when grown-ups with power tools remember what it was like to be a kid. Occupying only a couple-hundred square feet of space, these houses in the trees are cozy enough to let you roll out just a few sleeping bags, and big enough to let your childhood imagination run wild.The Proud Pavilion Though the Vassallo-Soto family built their treehouse for their four kids, they admit adults love it too. Tara and her husband Vinney wanted to give their kids a place for sleepovers, where they could chill device-free. “We wanted to give the kids a house outside of the house,” says Tara Vassallo-Soto.Tara Vassallo-Soto hashed out a design with RB Landscaping in under an hour. The treehouse sits proud and inviting at the top of a rise in the backyard, tucked up into the lower limbs of a tall oak tree. The design is reminiscent of a pavilion, with only one full back wall and two knee-height side walls. The absence of a fourth wall provides a spacious feeling and unobstructed views across the neighborhood.Kids can lounge lazily in the colorful beanbag chairs dolloped throughout the space, or in the neon hammocks draped underneath. The colors pop off the natural wood structure, like stained-glass windows in a childhood sanctuary.A prominent feature inside the tree house is the oak tree which greets you immediately as you enter the space. Here, Matt Robinson’s daughter, Sydney Robinson, 12, greets him from the loft built around the tree.The Tree Hugger “We bought this house because of that tree,” says Matt Robinson. He is referring to a mammoth pin oak at the back of his property. Its trunk punctures the foundation and then exits through the roof of a treehouse-in-the-works that sits 14 feet off the ground.For as long as he can remember, Robinson wanted to build a treehouse. His apprenticeship came when he helped a friend clear the trees on a 40-acre property. They cut the logs into lumber and built a timber-framed home on the land. Robinson applied the skills he learned building that house to construct the treehouse for his family, a massive undertaking that required him to borrow scaffolding to build so high. “I never want to get up on that roof again,” Robinson says. “It was terrifying.” He calls the treehouse his “labor of love.”Robinson has worked on it for two years. He is happy to take his time; being among the trees, he says, relaxes him. Preferring a rustic look, he has used reclaimed wood and incorporated creative touches like a window across the back wall that is actually a French door on its side. A prominent feature inside the house is the oak tree itself, which greets a visitor immediately upon entering. Robinson is still working to finish details like a backlit rusted tin ceiling and a rolling ladder to access the house’s loft. He also plans to put in a writing desk, ostensibly so his girls can do their homework, but his wife imagines Robinson himself will claim it most of the time. “He is looking forward to having a spot where he can look out through the trees and write some poetry,” she says.The Woodlands Home With a heavy heart, Sherry Corkum accepted that twin 100-year old oak trees on her property, formerly the Lassiter Mill Farm, had to be cut down. One tree still had weather-greyed wooden slats nailed to the trunk that the Lassiter children had used decades earlier as a ladder to a long-gone treehouse. But the trees were rotted and posed a safety hazard. Corkum was expecting a baby, and the Corkums couldn’t risk an accident, so the trees were removed.Corkum didn’t have to mourn their absence for long. Two weeks later, her husband called from Charlotte where he was developing a property. A treehouse on the land where he was working had to be removed or destroyed before building could begin. The Corkums decided to make it their own. Months later, a flatbed trailer arrived at the Corkums’ home in Raleigh with their treehouse and what remained of the cypress tree it once lived in.The house is a special one. A Charlotte artist designed and built the hexagonal shaped house with a wraparound deck. The Corkums used the cypress tree it once hung in as pilings to support its substantial load-bearing beams, which also accommodate an exit slide on one side and a couple of hammocks on the other. Tree bark shingles on the roof and siding camouflage the whole house, while tiny birds’ nests hang in several corners. A lack of doors or windows encourage the scent of magnolias from a neighboring grove to fill a cozy interior decorated with furniture from a craftsman in Boone, North Carolina who fashions child-sized tables and chairs out of old twigs. There is a chalkboard on one wall and drums hang throughout. The Corkums hide small treasures here and there for young guests to discover.Sherry Corkum says her family has gotten hours of enjoyment out of the treehouse. It has been the centerpiece for her son’s birthday parties and the hangout spot for her teenaged niece. “We lost two oaks,” says Corkum. “But we gained so much more.”Brain Lowery built a live-in doll house among the trees in his Zebulon backyard for his daughters, Logan and Austyn Lowery. The tiny two-story structure is fairytale perfect, with green siding, white trim and a inviting front porch.The Doll HouseBrian Lowery intended to build a swing set. Instead he built a live-in dollhouse among his backyard trees. “We figured they would quickly outgrow a swing set,” says Lowery, since his daughters were eight and eleven when he embarked on the project. He wanted to give them a place that they could use well into their teen years.Lowery constructed the house himself, on a modest budget, with materials he purchased at the local home improvement store. He supplied the house with electricity so nightfall would not discourage the girls from playing outside. The tiny two-story structure has green siding, white trim, and an inviting front porch. The interior features tranquil purple walls, reading nooks, and a sleeping loft. It’s the ideal spot to foster some girl power.A year has passed and Lowery’s house is fairytale-perfect, but he isn’t shy about expressing his disappointment. He imagined his girls would be anxious to spend their private time in the house sharing giggles and secrets, but they haven’t shown much interest in it. He recently hung a television on one wall. “If no one is going to use it, I’ll turn it into a man-cave,” Lowery says, with a laugh.A wooden wheel is one of several details on the McCalls’ treehouse boat.The Fantasy-bound BoatIn a cluster of trees beside a European-style North Raleigh home sits a treehouse shaped like a boat. Its bow, supported by three loblolly pines, points through a sea of trees to be navigated on the way to adventure. Make-believe grandeur is easy to conjure in this simple setting. Perhaps Peter Pan is faring the Darling children home from Neverland, a peg-legged Ahab is manning a whaling ship, or SpongeBob is practicing his driving lessons.The homeowners, Roger and Terri McCall, considered taking down the treehouse when they bought their home. Their kids are grown and they didn’t imagine anyone using it. But they love the ocean, and decided to leave the treehouse in place as a seaside-style decoration.They underestimated the boat’s magnetism. It turns out the treehouse is beloved by all their pint-sized visitors – grandnieces and nephews and friends with kids. The original owner’s brother, a carpenter, built the precious port-dweller. Children enter from a trap door in the floor of the boat, leaving the boat’s structure uninterrupted when the door is closed. As you look out from the small, enclosed bridge, it’s easy to imagine you are sailing through the sky.“Sometimes it’s a pirate ship. Sometimes it’s a fishing boat,” says Roger McCall. “Mostly, it’s a pirate ship.”The McCalls now have a box of accessories to accompany the treehouse. They keep plenty of flags, swords, hooks, and dolls on hand to foster the popular pirate theme and delight in the hours of laughter and “Ahoy, matey!” that emanate from their trees.